Designed by Rich Deas to resemble in both look and size a yellowed memorial issue of a 19th-century tabloid, this one-year-later account of Lincoln’s youth and political career features a linked set of lengthy, sharply analytical articles and a distinct period look, courtesy of Bing’s always eye-catching illustrations. Beneath hyperbolic multiple headlines (“ASSASSINS APPREHENDED / SECY SEWARD’S ASSAILANT AND TWO OTHERS ARRESTED / VICIOUS MADMAN IDENTIFIED / Blood Found On Clothes...”), Denenberg opens with Lincoln’s death, then retraces his upbringing, political education and White House years—quoting from speeches, assessing his increasingly saturnine personality and unhappy family life, and even mentioning such less laudable moments as his abortive engagement to Mary Owens. Enhanced by period-style advertisements and side features on his beard and other topics, by contemporary photos and also appropriately melodramatic wood engravings, this will be tough to shelve due to its large trim size but makes a memorable way of introducing Lincoln’s character and achievements. Its unusual appearance is guaranteed to draw readers to it; its striking graphics will keep them poring over the pages. (Biography. 10-13)
Pub Date: Oct. 1, 2008
ISBN: 978-0-312-37013-8
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2008
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
paper 1-57505-370-5 In this valuable addition to the On My Own Biography series of easy readers, Lowery (Georgia O’Keeffe, 1996, etc.) renders an intriguing and lucid portrait of the man often referred to as the most celebrated artist of the 20th century. The book begins with young Picasso puzzling over math equations. Finding math difficult, he came up with an inventive alternative, swirling and bending numbers on the page until they became fanciful creations. As a boy, Picasso was often sent to a “cell” as punishment for his lack of academic focus, but there he found the long hours nothing but pleasant, doing just what he loved best, “drawing, drawing, drawing.” This book takes readers on a journey through the highlights of Picasso’s life, visiting his Blue Period, his Rose Period and lingering over cubism. Lowery also makes clear Picasso’s mercurial and tempestuous nature, describing his swings from flamboyant rage to ecstatic joy. She aptly demonstrates how Picasso’s art became an expression of his character and his character an extension of his art. In pleasing textures of oil on canvas and warm hues, Porter’s accompanying illustrations quite nicely echo the art of its subject. (photos, chronology) (Biography. 8-11)
Pub Date: Nov. 30, 1999
ISBN: 1-57505-331-4
Page Count: 44
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
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