A congenial, readable story best suited for families interested in a secular treatment of this particular slice of Genesis.
After the creation of Earth, a young man called Adam names all the animals and then meets his partner, Eve.
The story opens with the first days of life on Earth as mountains form, plants sprout, and animals arrive. Adam suddenly appears as a young man with brown skin and dark hair. He likes to walk and talk with all the animals and decides he should name every species. The animals form a huge line to receive their monikers, and Adam names them in alphabetical order, from aardvarks to zebras. Some creatures will be familiar to children, but many will be new, such as the dik-dik, the kinkajou, and the matamata. When Adam feels lonely, a female human mysteriously appears and agrees to be Adam’s partner. The young woman also has brown skin and long, dark hair that conveniently covers her body, and she doesn’t need Adam to name her as she already has her own name, Eve. Pleasant illustrations creatively integrate the disparate creatures (labeled unobtrusively) into congenial groupings, although the animals can’t be shown in proper perspective due to space limitations. God and the role of the divine in creation are not mentioned in the text, although that is addressed in an author’s note, which names the source of the story as the biblical book of Genesis. The infamous snake and the apple tree are not included in this interpretation.
A congenial, readable story best suited for families interested in a secular treatment of this particular slice of Genesis. (Picture book. 3-7)Pub Date: Aug. 1, 2017
ISBN: 978-1-68115-530-2
Page Count: 32
Publisher: Apples & Honey Press
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
This biblical tale is filled with wonder, hope, and beauty.
Miriam is pivotal in the story of Moses and the Exodus.
A 7-year-old girl narrates the details of the day that she heeds “God’s voice,” places her baby brother in a basket, sets him adrift in the Nile River to save him from “Pharoah’s men,” and then watches as Pharoah’s daughter rescues him. That baby boy will grow up to be Moses, and his sister is the prophet Miriam. In her author’s note, Yolen explains that she has taken this story from Exodus and from the Midrash, tales that interpret the Torah. Miriam’s story is interwoven with miracles associated with water, ranging from that basket on the Nile to the parting of the Red Sea and the life-giving water flowing from a rock that sustains the Jews wandering in the desert, but there are relatively few children’s books that place her at their center. Many celebrants of the Passover Seder sing a song honoring Miriam and will welcome a book that celebrates her childhood. It is Le’s illustrations that truly shine, however. The vibrant blues and oranges reflect both calm and swirling waters dotted with a multitude of plant life. Elegant storks wade in the water as hippos and crocodiles swim nearby.
This biblical tale is filled with wonder, hope, and beauty. (Picture book/religion. 4-7)Pub Date: Feb. 4, 2020
ISBN: 978-1-5415-4400-0
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A good accompaniment to the duo’s Golden Domes and Silver Lanterns, which featured a Western Muslim family (2012), in a...
A beautiful picture book simultaneously explores shapes, Islam, and the cultures of the Muslim people.
Ranging from simple (circle, rectangle, triangle, oval, diamond) to more advanced (cone, cube, hexagon, octagon, arch, crescent), various shapes introduce an object, architectural form, or concept related to Islamic faith or cultural practices. “Cube is the Ka’aba, / a most sacred site, / where Muslims worship / each day and night.” The daff (a type of drum) is a circle; the minaret is a cone; an ayah, defined as “a verse of the holy Quran” in the glossary, is printed on a hexagonal tile, and diamonds adorn a new kaftan for Eid, “an Islamic holiday.” Illustrations are elaborately adorned and ornamented, a characteristic of Islamic art, and depict Muslims of many races and ethnicities. However, Muslims dressed in noncultural clothes are largely (though not entirely) missing from illustrations, potentially reinforcing a stereotypical image for non-Muslims. This is partially remedied by the author’s note that each spread represents a different country, but without a key or labels, it is difficult to discern which ones these are. The book successfully covers a wide array of concepts, cultures, and shapes, but Islam’s vastness, rightly celebrated here, means that some choices in spelling (“mimbar” vs. “minbar”; “Ka’aba” vs. “Ka’ba” or “Ka’bah”), definition (“iftar” is not necessarily a “light” meal), and illustrative detail (the kaftan is not belted) may throw readers accustomed to other practices.
A good accompaniment to the duo’s Golden Domes and Silver Lanterns, which featured a Western Muslim family (2012), in a collection of children’s books with an Islamic theme. (Picture book. 3-7)Pub Date: April 10, 2018
ISBN: 978-1-4521-5541-8
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
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