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I'M SORRY!

This woodland duo’s lesson in communication is ultimately unpersuasive.

Two friends try to apologize.

Scribble and Swoop are best friends, spending their days supporting each other’s creative endeavors in the ever sunny Walnut Woods. Scribble is a fuzzy orange squirrel, and Swoop is a blue-and-white owl with eyelashes and a heart-shaped face, and one day they decide to move in together. In an idyllic three-page moving montage, they find the perfect place, with “room for two with a little left over,” and unpack their things, individually deciding that the porch would be the ideal place to pursue their respective craft—and hiding it from their housemate. Things go predictably south, as Scribble wakes up early to open “the world’s greatest theater” while Swoop shuffles her tools into her dream studio space. A “CLATTER-BANG-CRASH” of a fight ensues, creating plenty of lingering resentment. A very drawn-out and ultimately anticlimactic apology sequence follows, in which readers are taught (probably not for the first time) that sorry “only works if you mean it.” Ironically, Scribble, though repentant, never does give a genuine apology, leaving Swoop to fix his curtains, his special pencil, and his ego, and then go on to create the sets for his plays. Julian’s sweet watercolor illustrations bring the ultimately uninspired text to life, with a cheerful palette and some creative use of the gutter.

This woodland duo’s lesson in communication is ultimately unpersuasive. (Picture book. 4-8)

Pub Date: March 3, 2020

ISBN: 978-1-68010-190-4

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: Jan. 25, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THE WORLD NEEDS THE WONDER YOU SEE

Handy advice for perpetually inquisitive children.

Interior decorator and TV personality Gaines invites readers to open their eyes and exercise their imaginations.

There’s a world to be explored out there—and only children can really take part. What does “looking for wonder” entail? Slowing down and looking up, around, and everywhere. At the outset, a group of eager, racially diverse young friends—including one who uses a wheelchair—are fully prepared for a grand adventure. They offer tips about how and where to look: Why, there’s a “grand parade” of marching ants! And, these kids add, perspective is key. A rainy day might signal gloom to some, but to those filled with wonder, showers bring “magic puddles for play”; a forest is “an enchanted world,” the ocean conceals “a spectacular city,” and the night sky boasts “extraordinary sights.” The takeaway: “Wonder is never in short supply.” It’s a robust, empowering message, as is the exhortation to “keep your mind open, and let curiosity guide the way.” Youngsters are also advised to share their discoveries. The upbeat narrative is delivered in clunky verse, but the colorful cartoonish illustrations brimming with activity and good cheer (including some adorable anthropomorphized animals in the backgrounds) make up for the textual lapses and should motivate readers to embark on their own “wonder explorations.”

Handy advice for perpetually inquisitive children. (Picture book. 4-7)

Pub Date: Jan. 28, 2025

ISBN: 9781400247417

Page Count: 32

Publisher: Tommy Nelson

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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