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MESS

ONE MAN’S STRUGGLE TO CLEAN UP HIS HOUSE AND HIS ACT

Yourgrau provides engaging company for most of that span, but the actual decluttering in the book might have taken less than...

A memoir about decluttering an apartment.

This isn’t a how-to book providing a step-by-step program to overcoming clutter, though Yourgrau (Wearing Dad’s Head, 1999, etc.) does chronicle his visit to Clutterers Anonymous, which the author didn’t find particularly helpful except to provide comparisons with those worse off than he is. Mainly, the book is the result of an intervention by the author’s girlfriend, whose success as a food critic contrasts sharply with the author’s self-deprecating lack of achievement. Her intervention inspired his writing project, which is to chronicle his clean-up project, though he discovers along the way that “doing my Project actually gets in the way of my decluttering!” Yourgrau shares histories of famous hoarders, psychological theories about clutter and its relationship with OCD and PTSD, and plenty of family memories, some of which seem to be distorted, about his ambiguous relationship with his late parents, memories that his penchant for clutter helps keep alive. “I hadn’t yet learned how to grieve properly,” he concludes after relating the death of his mother, one of the more moving sections of the book. Yet through much of the narrative, the author seems to be stalling, procrastinating, and distracting himself—all symptoms of the hoarder yet occasionally as frustrating to readers as they must have been to his girlfriend. Not until Page 80 does he announce, “Now for actual cleaning”—though, even then, not much gets cleaned too quickly. As the memoir progresses to the climactic dinner he will host and cook to share the livability of the apartment, where he was previously ashamed to admit visitors, he writes, “It had now been almost two years since my Project began.”

Yourgrau provides engaging company for most of that span, but the actual decluttering in the book might have taken less than a chapter.

Pub Date: Aug. 10, 2015

ISBN: 978-0-393-24177-8

Page Count: 288

Publisher: Norton

Review Posted Online: April 20, 2015

Kirkus Reviews Issue: May 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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