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THE MIDNIGHT PARTNER

Ultra-busy exposÇ of lurid goings-on in suburbia, from the author of Blind Prophet (1983), as well as several paperback suspense novels. When Jack Murphy takes a fatal dive into his drained Long Island swimming pool, Phillie Liebowitz, his screenwriting partner, doesn't believe it was a suicide. (After all, womanizing Jack had just had hair implants.) So Phillie does some detective work. He raids Jack's computer and finds musings like ``Sex dominates my life.'' He also lunches with racy Judy, one of Jack's former lovers, who produces more heavy-breathing scribblings, these detailing Jack's passionate attachment to an S&M ``family.'' But then Judy is brutally murdered, and Phillie's a prime suspect. Dogged in his effort to get inside Jack's life, Phillie goes to Manhattan's Whips and Chains club and spends a night of bliss whipping a pert paid escort named Cee, who knew Jack. Cee gives Phillie clues that help him discover the nefarious plot that drove his partner to suicide. After a Madison Square Garden showdown in which Phillie runs over some second-string bad guys with a Zamboni, he limps home to Long Island to discover that the real villain is holding his family hostage. More than a simple whodunit, Davis's first attempt at noncategory fiction is a tawdry field-day of would-be-titillating mayhem. Sensationalist embellishments and subplots include a night out with a benevolent biker gang, multiple attacks on Phillie's life, a videotape with a deadly secret, a false HIV diagnosis, a multimillion-dollar will with anti-suicide provisions, Phillie's constant agonizing over his troubled relationship with his unfaithful wife, and a 15-minute session with a psychiatrist in which our hero gets to the roots of middle-aged angst. Davis actually has an earnest intentionto contrast the lure of life on the wild side with the rewards of long-term marriagebut this inquiry gets drowned out by the cacophonous clanks of unoiled plot machinery. (First printing of 30,000; Literary Guild alternate selection)

Pub Date: July 17, 1995

ISBN: 0-553-09690-7

Page Count: 336

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1995

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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