Not terribly tense, and there’s more than a whiff of prewar Hollywood in the stagy dialogue. Maybe a sequel will pick up...
Fleeing Russia and rampaging Bolsheviks, a count and his son set up shop as aristotrainers in 1918 Shanghai, a city with plenty of ethnopolitical problems of its own.
Despite plenty of adjustments for today’s sensibilities and political correctness (it really was a dashed hard life for the serfs, and those coolies with their night soil—well!), old-fashioned adventure novelist Bull (the Africa-set Devil’s Oasis, 2001, etc.) can’t hide his fondness for the tsarist upper-crust, their lawn parties, their lawn dresses, their oneness with horses, their flamboyant indebtedness, and their preservation of swashbuckling, which figures heavily throughout. Young swordsman Alexander Karlov, whose semiresolved adventures suggest the opening of a new series, is at the center of things here, failing to defend his dreamy reformist mum or his twin sister Katia against brutal Leninist aristocrat eliminator Viktor Polyak who has tracked down their eastbound train, strangled mum, and absconded with sis, stopping only to crush Alexander’s leg in a door-squish maneuver before taking it on the lam. Nursed by faithful retainers and loyal White soldiers, the banged-up young Karlov limps into Shanghai with plenty of bad news for his nearly broke but still dashing father. The Karlovs are just the most recent arrivals in a flood of tsarist loyalists and revolutionary losers starting over again in the great international port. After shedding a solemn tear for the late countess, Count Karlov opens a line of credit, rents an unused opium warehouse, and sets up a riding and swordfighting shop. Young Alexander, when not helping with the new business, rescues and befriends a Chinese madam and strikes sparks with a pretty young Californian who is soft on the Soviets and about to get entangled with evil Viktor Polyak, now dragging his net along the Huangpo. Alexander must have vengeance.
Not terribly tense, and there’s more than a whiff of prewar Hollywood in the stagy dialogue. Maybe a sequel will pick up steam.Pub Date: Feb. 1, 2004
ISBN: 0-7867-1314-3
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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