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DON'T EVER LOOK BEHIND DOOR 32

With its appealing pictures and smooth rhymes, this book makes an excellent choice for a scary story read-aloud.

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A couple of dark-haired, big-eyed siblings explore the rooms of a monster-filled hotel with the warning to never look behind door 32.

In this Halloween picture book from the team of Fegan and Wen (Titch the Itch, 2017, etc.), the proprietor, Nicholas Noo, greets two pale-skinned children who are the first (human) guests at the Hotel of Hoo. But their stay in room No. 1 comes with the caveat about door 32. The kids proceed to examine each room, counting up to 32, meeting such creatures as grounds-cleaning clowns, light bulb–changing knights, dancing zombies, purple goblins, mad scientists, “miniature giants,” vampire mermaids, and the rest. The children’s facial expressions in Wen’s illustrations are priceless: The brother is clearly more reticent than his perpetually amused younger sister, who shows no fear of kitchen ghosts or old trolls. In several images, the brother pushes or pulls her past particularly troublesome rooms, including one reserved for visitors, and a daunting maze. What is behind door 32? The answer isn’t what readers will expect, and the finale of the charmingly rhymed book has a pleasing twist designed to make kids chuckle with relief that nothing really terrible is lurking. While the tale offers plenty of creepy-crawlies and spooky hazards for monster lovers, there are also delightfully cute dragons, a fantastic library, and adorable baby wizards for readers who prefer their Halloweens less frightening.

With its appealing pictures and smooth rhymes, this book makes an excellent choice for a scary story read-aloud.

Pub Date: March 14, 2018

ISBN: 978-0-648-10190-1

Page Count: 36

Publisher: TaleBlade

Review Posted Online: Feb. 26, 2018

Kirkus Reviews Issue: April 15, 2018

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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