A zealous seamstress very nearly misses out on her own wedding when she places the emphasis on her dress, not the occasion. It makes perfect sense that the “finest seamstress in Italy” would have ambitious dreams for her own wedding dress. Indeed, “Whenever Filomena stitched a wedding dress, she’d get a dreamy look on her face. ‘If this were my wedding dress,’ she’d sigh. . . . ” So when Filippo, the fix-it man across the plaza finally works up the courage to propose, Filomena happily accepts and starts in on her dress, leaving Filippo to his own designs. When the dress is finally finished, it is such an overdone horror that Filippo flees the altar, prompting Filomena to realize that she’s lost sight of what is really important about a wedding. Cantone’s (Zara Zebra Counts, not reviewed, etc.) mixed-media illustrations feature elongated, almost conical line-and-watercolor characters (each with a distinctly pronounced and delicately rouged nose) against wild backgrounds that mix collage elements with free-floating text (in English, for the most part). The wild-eyed Filomena and Filippo have a definite zany appeal, as does the spread in which a fleeing Filippo rides his scooter along a nuptial game-board path, a de-frocked Filomena in full pursuit. Hort’s translation, too, has considerable tongue-in-cheek zip: “She hustled out of her bustle.” But there’s something missing in the story itself: while little girls may have a fascination with weddings, the narrative has a distinctly adult sensibility. Filomena’s essential mistake—her preoccupation with preparations to the exclusion of her fiancé—is not one children will likely be able to relate to. This energetic Italian import may make a good gag gift for engaged couples—but not so great for its intended young audience. (Picture book. 4-8)
Pub Date: April 1, 2003
ISBN: 0-8230-1738-9
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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