by Beatrix Potter & illustrated by Beatrix Potter & developed by Squeaky Oak ‧ RELEASE DATE: Oct. 28, 2011
Potter's story of an abusive relationship between Miss Moppet the cat and Mouse is given short shrift in this shoddy,...
There's homage and then there's pure imitation, and in this adaptation of Beatrix Potter's cat-and-mouse tale, the developer has clearly studied the template created by Loud Crow Interactive and created a cheap, off-putting knockoff.
Loud Crow developed superb apps out of The Tale of Peter Rabbit and The Tale of Squirrel Nutkin. In this app, everything, from the title screen to its drop-down-bookmark menu to the way Potter's illustrations wiggle and squeak when touched, is similar, but the execution falls short. With generic music, annoying sound effects ("Boing!" goes one, making it sound like it was recycled from a Saturday-morning TV show) and narration that feels out of rhythm, the original text and pictures survive intact, but just barely. The title screen, showing a copy of the original book, a fountain pen, ink and what appears to be a blank yellow Post-It Note (seriously!?) tells you all you need to know. Worst, the narration must be activated by touching the first letter of the first word of each page, but there's no hint or instruction that this is the case.
Potter's story of an abusive relationship between Miss Moppet the cat and Mouse is given short shrift in this shoddy, derivative app. Readers will be left feeling teased and unsatisfied, even if they're unaware far better Potter apps exist. (iPad storybook app. 3-8)Pub Date: Oct. 28, 2011
ISBN: N/A
Page Count: -
Publisher: Squeaky Oak
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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