Even if the novel's strength ebbs in the final serpentine twists, Williams spins a good, spirited yarn.
Romance and mystery, war and Prohibition, infidelity and murder, inheritance and lies—the list of ingredients is long and potent in this cocktail of dramatic suspense rooted in early-20th-century Florida.
Scarred for life by her mother’s murder when she was 8 years old—a crime for which her father has now been convicted—Virginia Fortescue has just learned of a new tragic loss: the death, by fire, of her estranged British husband, Simon Fitzwilliam. This is just one of the many layers of intrigue in Williams' (The Wicked City, 2017 etc.) latest, which picks up on characters from her earlier book, A Certain Age (2016). Is Simon really dead? What drove Virginia and Simon apart? And what about Samuel, the perhaps more truthful—or brutal—twin brother to seductive Simon? Williams stirs a whirlpool of enigmas around Virginia while pulling in secondary characters like Simon’s flapper sister, Clara, Virginia’s angelic daughter, Evelyn, and Revenue Agent Marshall, who's constantly warning Virginia about dangers to herself and her child. But cool Virginia, who drove a Red Cross ambulance during World War I, has mettle enough for these challenges despite being variously deceived, attacked, and drugged. Suspended between parallel time frames—the beginning of Simon and Virginia’s relationship in 1917 in the field hospitals of France and the "present" day, 1922, in Florida—this vertiginous tale is characterized by deceptions and secrets held by many characters, Virginia included. Williams’ story, a rich brew of suspicion and intensity, also has a flavor of Daphne du Maurier, with its Cornish roots, dubious housekeeper, and embattled heroine. While galloping late revelations and events may leave the reader feeling whipsawed, there’s no denying the author’s full-blooded commitment to her intricate edifice.
Even if the novel's strength ebbs in the final serpentine twists, Williams spins a good, spirited yarn.Pub Date: July 4, 2017
ISBN: 978-0-06-240498-5
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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