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OUR WOMAN IN MOSCOW

A cumbersome plot weighs down this would-be spy thriller.

Twin sisters find themselves caught up in a Russian spy ring at the height of the Cold War.

In 1952, Ruth Macallister, a former fashion model and the power behind the throne at a Manhattan modeling agency, receives a postcard from her twin sister, Iris Digby—sent from Moscow. When FBI man and former Yale fullback Sumner Fox comes sniffing around, Ruth at first withholds this information, but later the two will team up, pretending to be newlyweds, to go to Moscow with the intent of extracting Iris from the clutches of the Stalin regime. Or at least that’s Ruth’s intent—Sumner’s mixed motives are a source of more confusion than intrigue. The 1952 sections, narrated by Ruth, alternate with Iris’ story, set in 1948 Great Britain, detailing how her marriage is foundering. She always knew her husband, Sasha Digby, was a spy for the Russians, a mole embedded in the U.S. diplomatic corps. Lately, however, his drunkenness appears to have rendered him all but useless to his handlers. Iris met Sasha during the sisters’ prewar Roman holiday in 1940 and, infatuated, married him in haste. Sasha’s frequent all-night benders have definitely debloomed the rose. The 1948 narrative slows down the present action without really adding much crucial insight into how, or why, Sasha and Iris end up defecting, with their children, to Moscow or even why, after his poor performance, Moscow would want him. Making occasional appearances in the 1952 timeline is Lyudmila Ivanova, a tough-as-nails KGB operative and a single mother due to her informing on her husband, who was sent to the gulag. He’s not the only family member she’s turned in. Lyudmila has been assigned to monitor expat defectors like Sasha. Iris is the most fully developed and sympathetic character here. Ruth is another iteration of the wisecracking dame who has appeared in so many Williams novels, and Lyudmila seems patterned after Greta Garbo in Ninotchka, except that this doctrinaire minion of Stalin wouldn’t be caught dead in a rom-com.

A cumbersome plot weighs down this would-be spy thriller.

Pub Date: June 1, 2021

ISBN: 978-0-06-302078-8

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE CRASH

Soapy, suspenseful fun.

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A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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