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OUR WOMAN IN MOSCOW

A cumbersome plot weighs down this would-be spy thriller.

Twin sisters find themselves caught up in a Russian spy ring at the height of the Cold War.

In 1952, Ruth Macallister, a former fashion model and the power behind the throne at a Manhattan modeling agency, receives a postcard from her twin sister, Iris Digby—sent from Moscow. When FBI man and former Yale fullback Sumner Fox comes sniffing around, Ruth at first withholds this information, but later the two will team up, pretending to be newlyweds, to go to Moscow with the intent of extracting Iris from the clutches of the Stalin regime. Or at least that’s Ruth’s intent—Sumner’s mixed motives are a source of more confusion than intrigue. The 1952 sections, narrated by Ruth, alternate with Iris’ story, set in 1948 Great Britain, detailing how her marriage is foundering. She always knew her husband, Sasha Digby, was a spy for the Russians, a mole embedded in the U.S. diplomatic corps. Lately, however, his drunkenness appears to have rendered him all but useless to his handlers. Iris met Sasha during the sisters’ prewar Roman holiday in 1940 and, infatuated, married him in haste. Sasha’s frequent all-night benders have definitely debloomed the rose. The 1948 narrative slows down the present action without really adding much crucial insight into how, or why, Sasha and Iris end up defecting, with their children, to Moscow or even why, after his poor performance, Moscow would want him. Making occasional appearances in the 1952 timeline is Lyudmila Ivanova, a tough-as-nails KGB operative and a single mother due to her informing on her husband, who was sent to the gulag. He’s not the only family member she’s turned in. Lyudmila has been assigned to monitor expat defectors like Sasha. Iris is the most fully developed and sympathetic character here. Ruth is another iteration of the wisecracking dame who has appeared in so many Williams novels, and Lyudmila seems patterned after Greta Garbo in Ninotchka, except that this doctrinaire minion of Stalin wouldn’t be caught dead in a rom-com.

A cumbersome plot weighs down this would-be spy thriller.

Pub Date: June 1, 2021

ISBN: 978-0-06-302078-8

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

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A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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THE TIN MEN

Fast-moving and disturbingly plausible.

Robots may be the future of warfare in this final father-son DeMille collaboration.

In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.

Fast-moving and disturbingly plausible.

Pub Date: Oct. 28, 2025

ISBN: 9781501101878

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: July 19, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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