A feel-good book that effectively mixes gross-out humor, a bit of monster-y horror, and sweet affection.
In this illustrated children’s book, a monster who loves giving hugs figures out how to make friends.
All the monsters in Ghastly Gigapolis hide when the Squeezor comes to town for supplies. Why? Because he “loves to give hugs. Great, big, wrap-his-arms-around-you-twice, squeezy hugs”—and although that doesn’t sound so bad, he also “looks like he wants to eat you up!” Besides those long, long arms, he’s got a mouth full of fangs, huge horns, “squashy” feet with greasy toenails, and sharp claws. But the Squeezor doesn’t actually want to eat anyone; he can’t help how he looks, and he’d like to be friends. He reads some self-help books, including 7 Habits of Highly Disgruntled Monsters, but they don’t give the creature any insight into himself. A portrait of his “Great-Grandmother Squeezums” inspires him to consider others, instead. In town, the Squeezor finds ways to help his fellow monsters by using his long arms. He gets a job and even discovers that his special hug cheers up the local Grumpypuss. Word gets out, and soon the Squeezor is welcomed by everyone; now, they all come out for a hug when he comes to town. Benishek (Dr. Guinea Pig George, 2017, etc.) offers a funny and sweet book that’s good for reading aloud. It features lively prose and references that will appeal to adults as well as kids, as when the Squeezor watches the TV show Game of Bones. It doesn’t quite make sense that a town full of monsters—many of whom also look ready to “eat you up”—would be so put off by the Squeezor, but that’s a small matter. Debut illustrator Fiss’ illustrations have plenty of variety and expressiveness without overdoing the monsters’ scariness; clever details expand the storytelling, such as the darling, if fanged, bunny slippers on vampire Bitey McBitesalot. The book is also available in a special edition for dyslexic readers, printed in an easy-to-read font (not reviewed).
A feel-good book that effectively mixes gross-out humor, a bit of monster-y horror, and sweet affection.Pub Date: Aug. 14, 2018
ISBN: 978-1-387-02173-4
Page Count: 42
Publisher: MacLaren-Cochrane Publishing
Review Posted Online: May 21, 2019
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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