by Becky Davies ; illustrated by Caroline Attia ‧ RELEASE DATE: March 1, 2017
Children who are familiar with the traditional story will find this a fresh, funny alternative.
The traditional story of “The Three Little Pigs” is recast with pug puppies instead of pigs and a malevolent, white cat in the role of the Big, Bad Wolf.
Digitally composed illustrations use photographs of the appealing pugs imposed on illustrated backgrounds, using a contemporary palette of pastel shades and effective use of white space. The Big, Bad Cat accessorizes with magenta 10-gallon hat and boots, and her outsized personality is conveyed both through her ferocious appearance and apt textual descriptions: “What a sight! Sharp, scratchy claws, a terrible twitching tail, and mean beady eyes.” The pugs, Bubbles (straw house), Bandit (stick house), and Beauty (brick house), set off to build their own homes, carrying backpacks of food that entrance the cat. She uses a hair dryer to blow down the straw house, a leaf blower to destroy the house built of sticks, and a huge fan and a jumbo jet to attack the sturdy brick house. The action concludes when the cat’s owner calls her home, followed by the surprise introduction of new additions to the cat’s family home—three familiar pug puppies. The book’s design includes speech balloons and display type integrated into the text for emphasis, as in the curlicue typeface chosen for the cat’s owner’s doting blandishments. The pugs are undeniably appealing with their worried facial expressions, and the cat is crafty and amusing rather than truly scary.
Children who are familiar with the traditional story will find this a fresh, funny alternative. (Picture book. 4-8)Pub Date: March 1, 2017
ISBN: 978-1-6801-0043-2
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Dan Yaccarino
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