by Becky Davies ; illustrated by Caroline Attia ‧ RELEASE DATE: March 1, 2017
Children who are familiar with the traditional story will find this a fresh, funny alternative.
The traditional story of “The Three Little Pigs” is recast with pug puppies instead of pigs and a malevolent, white cat in the role of the Big, Bad Wolf.
Digitally composed illustrations use photographs of the appealing pugs imposed on illustrated backgrounds, using a contemporary palette of pastel shades and effective use of white space. The Big, Bad Cat accessorizes with magenta 10-gallon hat and boots, and her outsized personality is conveyed both through her ferocious appearance and apt textual descriptions: “What a sight! Sharp, scratchy claws, a terrible twitching tail, and mean beady eyes.” The pugs, Bubbles (straw house), Bandit (stick house), and Beauty (brick house), set off to build their own homes, carrying backpacks of food that entrance the cat. She uses a hair dryer to blow down the straw house, a leaf blower to destroy the house built of sticks, and a huge fan and a jumbo jet to attack the sturdy brick house. The action concludes when the cat’s owner calls her home, followed by the surprise introduction of new additions to the cat’s family home—three familiar pug puppies. The book’s design includes speech balloons and display type integrated into the text for emphasis, as in the curlicue typeface chosen for the cat’s owner’s doting blandishments. The pugs are undeniably appealing with their worried facial expressions, and the cat is crafty and amusing rather than truly scary.
Children who are familiar with the traditional story will find this a fresh, funny alternative. (Picture book. 4-8)Pub Date: March 1, 2017
ISBN: 978-1-6801-0043-2
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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