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PAPILIO

Move aside, Very Hungry Caterpillar. Meet the new queen of metamorphosis storytime splendor.

Artistic collaboration yields one-of-a-kind storytelling with this deft look at the transformation from caterpillar to butterfly.

A talented trio of author/illustrator creators and friends explore the three phases of a black swallowtail’s life. Clanton takes on the first stage, introducing us to Papilio polyxenes, a caterpillar full of wide-eyed wonder and boundless hunger. Tabor tackles the challenging chrysalis stage, showing an oblivious Papilio’s adventures as she goes from caterpillar to goo to butterfly. Finally, Musser’s butterfly emerges to find that things aren’t always easy when you’re new, so a little persistence goes a long way. While the art styles shift a bit, generally the illustrations are soft and cartoonish, and the tone of the book is remarkably consistent and chock-full of small delights (such as the caterpillar-stage Papilio merrily singing, “Got a full belly, time to turn to jelly”). Papilio’s mouse friend appears throughout all three stories, providing a consistent throughline as the two creatures help one another. For all its simplicity, the book keeps on the scientifically accurate side of the equation, even including backmatter with fascinating facts (for instance, black swallowtails create their own antifreeze in the winter). The result is charming, informative, and absolutely ideal for preschool read-alouds.

Move aside, Very Hungry Caterpillar. Meet the new queen of metamorphosis storytime splendor. (Picture book. 3-7)

Pub Date: March 4, 2025

ISBN: 9780593693254

Page Count: 48

Publisher: Viking

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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