by Ben Hatke ; illustrated by Ben Hatke ‧ RELEASE DATE: Sept. 28, 2021
Imaginative readers will pore over the illustrations for much longer than one reading.
The trilogy of picture books about Julia’s peripatetic House for Lost Creatures ends with this title, in which kindness begets kindness.
In trilogy opener Julia’s House for Lost Creatures (2014), Julia, who presents White, opens her home to a world of phantasmagorical creatures. In sequel Julia’s House Moves On (2020), the house literally goes on a journey, taking the home and all its inhabitants with it. And now at last, the house has found the Perfect Spot to settle down. With the first two books, Julia’s openness and kindness lead to kerfuffles and conundrums. In this final title, the house plunges down a craggy mountain and is left in total ruins, with only the sign, a doorknob, and the front door remaining. Hatke’s lavish watercolor illustrations are magnetic and spirited, as the menagerie of curious and strange creatures are strewn all over the land. What to do? The answer lies in Julia’s open and unquestioning acceptance of every creature found on the pages. A unicorn? “We’ll make room.” A cemetery full of ghosts? “Just follow me.” Even Julia’s optimism crumbles when she finds she’s led creature friends both old and new to a junkyard instead of a home. But her unfailing welcome to all, even when it leads to quandaries, is a rare treasure, bringing friendship and support back to her in spades. (This book was reviewed digitally.)
Imaginative readers will pore over the illustrations for much longer than one reading. (Picture book. 3-7)Pub Date: Sept. 28, 2021
ISBN: 978-1-250-76932-9
Page Count: 48
Publisher: First Second
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
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