by Ben Hatke ; illustrated by Ben Hatke ‧ RELEASE DATE: Sept. 29, 2020
This magical wisp of a story has an imaginative message for both planners and improvisers.
Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.
Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)
This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)Pub Date: Sept. 29, 2020
ISBN: 978-1-250-19137-3
Page Count: 40
Publisher: First Second
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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