Next book

SEVEN WONDERS

A comiclike outing rich in repetition and clichés, this typing exercise is at heart an intriguing story that deserved a...

A ripping yarn torn from the pages of many another adventure tale, this high-speed, low-quality mashup concerns an ancient female sect and the present-day seekers of its secrets.

When brainy Jeremy Grady is slain in his MIT computer lab, it’s soon clear that the murderer failed to reckon with twin brother and doughty field anthropologist Jack. He has a support team comprising a silent computer whiz and a wisecracking Asian who manage the problems Jack can’t handle with his wits, his muscle or his uncanny puzzle-solving skills. (And yet, he fails to notice that the word “seven” has “eve” between the two global “n” and “s” poles!) As he works to unravel his brother’s mind-boggling discovery about a connection between the Ancient and Modern Seven Wonders of the World, Jack acquires a partner in stoic botanical geneticist Sloane Costa. Her desire for tenure and her incredible discovery in the lower depths of the Coliseum might further Jack’s pursuit of the centuries-old Amazons and the Order of Eve and maybe the Tree of Life in Eden. But can they stay one step ahead of the beautiful DNA-business billionaire Jendari Saphra, who covets the secret of Mitochondrial Eve and has at her disposal a fantastic wardrobe (Swarovski, Herve Leger, Versace) and a centuries-old gang of trained killers with ivory javelins? What about the asps, the giant crocodile, the 40,000 severed hands and the countless spiders? Mezrich (Straight Flush, 2013, etc.) rings up a debt to, among others, James Bond, Indiana Jones, the Nicholas Cage National Treasure series and the Brendan Fraser mummy movies that is incalculable. OK, it’s a genre rife with borrowing but rarely on such a scale.

A comiclike outing rich in repetition and clichés, this typing exercise is at heart an intriguing story that deserved a writer who could rise at least to the level of a Dan Brown, yet another Mezrich creditor.

Pub Date: Sept. 2, 2014

ISBN: 978-0-7624-5382-5

Page Count: 320

Publisher: Running Press

Review Posted Online: Aug. 24, 2014

Kirkus Reviews Issue: Sept. 15, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 230


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 230


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview