A novel that badly wants to be cool but is rarely more than sophomoric.
Can a childhood crush survive a 13-year separation? The answer’s a long time coming in this unfocused first novel from the author of American Nerd (2008).
Josh and Khadijah, 15-year-old classmates in central Massachusetts in 1994, spy on his dad and her mom smooching in the candy aisle of the supermarket. Their furtive observation draws them together, and narrator Josh, whose story this is, happily goes along with Khadijah’s suggestion that they sign a solemn vow they will never cheat in their future relationships. Khadijah (a white American girl, despite her exotic name) follows up by throwing a rock at a bank window; this act of rebellion triggers a family crisis, and soon enough, two happy homes have broken up, Khadijah has been whisked away to Cambridge, and Josh has lost his potential high school sweetheart. The story lurches forward. A year later, the two adulterous parents, Linus and Nancy, have broken up themselves, and flaky Linus already has a new girlfriend with a superrich daddy. That’s just as well, for Linus has quit his teaching job and has no visible means of support. Another lurch forward, and it’s 2006. Josh, an NYU dropout who has spent six years playing bass with a recently defunct Los Angeles rock band, meets Julie, well-paid host of an animal show on cable. She’s an Armenian/Persian mix; Josh is “Judeo-Hibernian.” He becomes a freeloader like his dad, but at least he’s kept his “no cheating” vow. Then Khadijah appears out of the blue, the fiancee of a music journalist. The climax is no more believable than its antecedents.
A novel that badly wants to be cool but is rarely more than sophomoric.Pub Date: Jan. 8, 2013
ISBN: 978-1-4391-3659-1
Page Count: 224
Publisher: Scribner
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
BOOK REVIEW
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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