This creepy tale must be making a point about antisemitism, but the SF elements complicate it beyond clear translation.
After the state of Israel disappears into a black hole, antisemitism becomes the law of the land.
As Resnick’s disturbing debut opens, Ethan and Ella—a tech journalist and a photographer—bond over the joy of launching a paper airplane from the rooftop deck of their co-working space. That might sound like a meet-cute, but this dark dystopian drama is no romantic comedy. The connection between the two characters, both Jewish, she the single mother of a 6-year-old named Michael, is forged in a climate of worldwide dread, in a city filled with random violence and robotic killer dogs. Ella lives in a part of the city called the Pale, which will soon become the only neighborhood in which Jews can live; this is one of myriad allusions to the years leading up to the Holocaust in Europe. After the First Event (the disappearance of Israel) and the Second Event (numerous similar “anomalies” tear the fabric of reality in cities around the world), many people believe that Jews are in on this situation or benefiting from it in some way; this unleashes further individual and state-sponsored acts of antisemitism. Meanwhile, it’s true that the anomalies are portals that exert a gravitational force only on Jews, who can step through to be transported to a mysterious parallel world. The portrayal of Jews in the book will not be comfortable for all readers. For example, the characters seem to agree that you can always identify a Jewish person just by looking at them; if this point is being held up to scrutiny rather than asserted as fact, that is not clear. The implications of the title, too, are discomfiting. Is Resnick, a rabbi in Pelham, New York, suggesting that this type of deep division between the Jews and everyone else is the “next stop”? Of what?
This creepy tale must be making a point about antisemitism, but the SF elements complicate it beyond clear translation.Pub Date: Sept. 10, 2024
ISBN: 9781668066638
Page Count: 304
Publisher: Avid Reader Press
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.
What would you do if you knew when you were going to die?
In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.Pub Date: Sept. 10, 2024
ISBN: 9780593798607
Page Count: 512
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
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