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NAPLES DECLARED

A WALK AROUND THE BAY

Packed with elegant aperçus and vibrant with the author’s rueful understanding that “Naples the glorious and Naples the...

From novelist/essayist/editor Taylor (The Book of Getting Even, 2009, etc.), an idiosyncratic, atmospheric portrait of “the great open-air theater of Europe.”

Once considered Italy’s pleasantest city, second only to Rome in importance, Naples today is as noted for its dire poverty and malevolent Camorra crime syndicate. “Its residents know themselves by instinct to be different from other European citizenries,” writes Taylor: “more ancient, less well-off, more skeptical, less clean. But wiser, grander.” Those sentences resonate with the author’s attractive blend of romanticism and realism as he plumbs Naples’ Greek roots and the pagan sensibility that still underpins its Catholic surface. Taylor’s scope is as all-embracing as the stroll he takes around the Bay of Naples. He connects the magnificent wall paintings in the Villa of Poppaea with Italian art of the 15th century. He notes his “fear and dislike” of Christianity “because it sets the flesh against the mind and denies the brevity of our expectations; because, in a word, it is so un-Greek.” Taylor finds Neapolitans of every generation deeply Greek in their tragic sense of life, borne out by centuries of foreign domination, climaxing with the brutal Nazi occupation in the final years of World War II. The author wears his formidable erudition lightly as he cites classical authors and 20th-century travel writers such as Norman Douglas with equal zest and acuity. Yet some of his most enjoyable pages are present-day encounters with a fervently communist doctor, a chain-smoking student of Faulkner and novelist Shirley Hazzard, one of Naples’ many devoted longtime, part-time residents. Though this is a highly personal book, the Neapolitan spirit is palpable: “the being-visible-now, the quasi-divinity that flows from a fundamentally theatrical sense of life,” as Taylor puts it in a characteristically ecstatic, evocative assessment.

Packed with elegant aperçus and vibrant with the author’s rueful understanding that “Naples the glorious and Naples the ghastly have always been one place.”

Pub Date: May 15, 2012

ISBN: 978-0-399-15917-6

Page Count: 240

Publisher: Marian Wood/Putnam

Review Posted Online: Feb. 19, 2012

Kirkus Reviews Issue: March 1, 2012

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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