An engaging book that will likely fulfill a need for some parents.
A book for children and their parents that confronts the fact that sometimes the answer to the question “Where did I come from?” isn’t that simple.
Many parents tell their children, “You grew in Mommy’s tummy,” while others tell about their adoptions. However, well-meaning parents of children who were conceived through in vitro fertilization, or with an egg or sperm donor, may stumble over technical terms as they search for words that are honest, clear and simple enough for children. This book, part of a series from Bernard Villegas and Teresa Villegas (Golemito, 2013, with Ilan Stavans, etc.), offers a helping hand. It explains assisted reproduction in spare, restrained language that allows plenty of leeway for parents to deliver their own messages, and it also preserves the beauty and magic of a child’s birth. The story, told in the second person, as if a parent is speaking directly to a child, begins with two people who love each other so much they want to form a family: “They trusted each other, and they helped each other become the best person they could be.” But, when they try to make a baby, they can’t, so they see a doctor. The doctor explains that the couple has most of what they need to make a baby—particularly love and mutual respect—but they also need seeds, eggs and a nest: “Your father had the seeds and your mother had the nest, but she didn’t have any eggs.” It’s an elegant explanation that most children will grasp easily, and, of course, they already know the book’s happy ending. The story features muted, folk art–inspired illustrations, and although most are abstract (the parents have birdlike heads and humanlike bodies), one page has tastefully explicit anatomical drawings of a man and a woman, with the vulva, vagina, penis and scrotum labeled. As with everything else in this book, the drawings and the words are graceful and matter-of-fact. (This version of the book is written for egg-donor twins, and versions for single egg-donor babies and children conceived using donor sperm are also available.)
An engaging book that will likely fulfill a need for some parents.Pub Date: March 1, 2013
ISBN: 978-0988450103
Page Count: 32
Publisher: Heart and Mind Press
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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