Truly crazy, lots of fun, and more than slightly perverse: this reads like an episode of Sex and the City written by Ovid.
Holy Po-Mo, Batman! How about a historical, multicultural, transgender novel—in verse, yet!—about a colony of third-century Africans living in London under the empire (the Roman empire, that is).
There are some stories that just can’t be told straight, and newcomer Evaristo doesn’t bother trying. She lets herself go wild in this account of the fabulous life and celebrated adventures of Zuleika, a Sudanese girl (“Illa Bella Negreeta”) whose parents brought her from Khartoum to London—er, make that Londinium—and married her off to a Roman nobleman before she had even come within spitting distance of puberty. Her husband Felix was an old man in his 30s, very rich, and hardly ever in town, and he saw to most of Zuleika’s needs, installing her in a gigantic house with an army of servants to attend to her. The problem was that he attended to other matters himself, and left her completely on her own. So she became a club kid in short order, hanging out at the ultra-hip Mount Venus nightclub with all the trannies and fashionistas and even became tight with transvestite goddess Venus herself. Zuleika soon becomes a fixture of the downtown scene, getting her frocks from the best shops and trading adulterous gossips with her girlfriends. Eventually she is spotted at the theater by the Emperor Septimus Severus, who happens to be passing through his British colonies on a kind of goodwill tour, and the two are struck by a thunderbolt. True love at last! And Felix can hardly complain, even if he were of a mind to, since everybody has to stand aside to let the Emperor cut in. Unfortunately for Zuleika, however, the Emperor is a king as well as a lover, and a soldier as well as a king. And soldiers have a way of dying in battle.
Truly crazy, lots of fun, and more than slightly perverse: this reads like an episode of Sex and the City written by Ovid.Pub Date: April 29, 2002
ISBN: 0-670-03071-6
Page Count: 272
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2002
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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