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THE EMPEROR’S BABE

Truly crazy, lots of fun, and more than slightly perverse: this reads like an episode of Sex and the City written by Ovid.

Holy Po-Mo, Batman! How about a historical, multicultural, transgender novel—in verse, yet!—about a colony of third-century Africans living in London under the empire (the Roman empire, that is).

There are some stories that just can’t be told straight, and newcomer Evaristo doesn’t bother trying. She lets herself go wild in this account of the fabulous life and celebrated adventures of Zuleika, a Sudanese girl (“Illa Bella Negreeta”) whose parents brought her from Khartoum to London—er, make that Londinium—and married her off to a Roman nobleman before she had even come within spitting distance of puberty. Her husband Felix was an old man in his 30s, very rich, and hardly ever in town, and he saw to most of Zuleika’s needs, installing her in a gigantic house with an army of servants to attend to her. The problem was that he attended to other matters himself, and left her completely on her own. So she became a club kid in short order, hanging out at the ultra-hip Mount Venus nightclub with all the trannies and fashionistas and even became tight with transvestite goddess Venus herself. Zuleika soon becomes a fixture of the downtown scene, getting her frocks from the best shops and trading adulterous gossips with her girlfriends. Eventually she is spotted at the theater by the Emperor Septimus Severus, who happens to be passing through his British colonies on a kind of goodwill tour, and the two are struck by a thunderbolt. True love at last! And Felix can hardly complain, even if he were of a mind to, since everybody has to stand aside to let the Emperor cut in. Unfortunately for Zuleika, however, the Emperor is a king as well as a lover, and a soldier as well as a king. And soldiers have a way of dying in battle.

Truly crazy, lots of fun, and more than slightly perverse: this reads like an episode of Sex and the City written by Ovid.

Pub Date: April 29, 2002

ISBN: 0-670-03071-6

Page Count: 272

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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