by Bernardo Atxaga ; translated by Margaret Jull Costa ‧ RELEASE DATE: June 2, 2020
Dated language and slow pacing make a muddle of this tedious title.
A philosophical cow recounts her life and ponders its meaning.
Mo looks back on her long life: her unceremonious birth, dismay at the realization that she’s a cow, humans she befriended or fought, a tumultuous friendship with a fellow cow called La Vache qui Rit, and her dotage with a plucky French nun. Mo’s narration is monopolized by philosophical conversations with The Pest, Mo’s inner voice, an all-knowing, formally prissy conscience. Serenity, danger, and cruelty are all present in Mo’s account. The story is translated from Basque, and the author’s preface provides brief historical context about the Spanish Civil War and the anti-fascist Basque rebels who fought against Franco’s dictatorship after the war. Unfortunately, the text fails to explore these sociopolitical issues. It is also a shame that the translator and publisher did not opt to remove problematically dated terms. Mo shares a saying from “a wise oriental,” and the story’s villain is referred to as “a foreigner”; as Mo cannot understand the latter’s (unidentified) language, it is, regrettably, represented throughout with just one nonsensical word: “Karral.” Human characters seem to be default white. The meandering narrative bounces between past and present, with many digressions in between, punctuated by pithy cow sayings. There’s a monotonous lack of urgency between bits of action and the occasional fight scene.
Dated language and slow pacing make a muddle of this tedious title. (Fantasy. 10-14)Pub Date: June 2, 2020
ISBN: 978-1-912868-01-8
Page Count: 224
Publisher: Dedalus Limited
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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by Jack Cheng ‧ RELEASE DATE: Feb. 28, 2017
Riveting, inspiring, and sometimes hilarious.
If you made a recording to be heard by the aliens who found the iPod, what would you record?
For 11-year-old Alex Petroski, it's easy. He records everything. He records the story of how he travels to New Mexico to a rocket festival with his dog, Carl Sagan, and his rocket. He records finding out that a man with the same name and birthday as his dead father has an address in Las Vegas. He records eating at Johnny Rockets for the first time with his new friends, who are giving him a ride to find his dead father (who might not be dead!), and losing Carl Sagan in the wilds of Las Vegas, and discovering he has a half sister. He even records his own awful accident. Cheng delivers a sweet, soulful debut novel with a brilliant, refreshing structure. His characters manage to come alive through the “transcript” of Alex’s iPod recording, an odd medium that sounds like it would be confusing but really works. Taking inspiration from the Voyager Golden Record released to space in 1977, Alex, who explains he has “light brown skin,” records all the important moments of a journey that takes him from a family of two to a family of plenty.
Riveting, inspiring, and sometimes hilarious. (Fiction. 10-14)Pub Date: Feb. 28, 2017
ISBN: 978-0-399-18637-0
Page Count: 320
Publisher: Dial Books
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Jack Cheng ; illustrated by Jack Cheng
by Alan Gratz ‧ RELEASE DATE: July 25, 2017
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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by Alan Gratz ; illustrated by Judit Tondora
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by Alan Gratz ; illustrated by Brent Schoonover
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