by Bess Kalb ‧ RELEASE DATE: March 17, 2020
An endearing, bittersweet, and entertainingly fresh take on the family memoir.
A Jewish “matrilineal love story” uniquely narrated by a voice from beyond the grave.
TV writer Kalb employs an unconventional yet highly effective and charming narrative device, channeling the voice and personality of her now-deceased grandmother Bobby Bell. Outspoken and persnickety, Bobby snares readers’ attention right from her first comments about how “degrading” and boring being dead actually is and how “the worst part was the dirt.” Drawn from both a generous selection of family images and a text very much grounded in the family’s Jewish heritage, the narrative skillfully captures Bobby’s wit, worldly advice, well-intentioned meddling, and enduring love for her granddaughter. Bobby describes her mother as an “enormous Russian immigrant in a falling-down house” who arrived in Brooklyn speaking no English. Bobby also comments on her near-fatal bout with meningitis, her marriage to the author’s grandfather, and her lifelong friendship with Estelle, her sorority sister and fellow Jewish Brooklynite. Kalb sharply reimagines her grandmother’s inner thoughts and feelings as she regales readers with anecdotes about her life and remembers her biting yet fiercely nurturing criticism of the author’s choices in men (“is he Jewish?”), her appearance (“you’d be gorgeous if you went a little blonder”), and her relocation to the West Coast (“no serious person moves to San Francisco”). The true heart and soul of their relationship is reflected in the frequent phone exchanges between grandmother and granddaughter, most of which are hysterical. Readers familiar with the Bobby in their own families will appreciate how well Kalb embodies the classic stereotypes of stoic overprotectiveness and frequent exasperation that come with being a parent and grandparent. As the book progresses, the story becomes both sad and poignant as age and illness catch up to Bobby, and though she pokes fun at her situation, the photos and the imagined conversations make for sometimes-heartbreaking reading. Through interviews with her mother and grandfather, voicemails, and nostalgic memorabilia, Kalb commemorates her beloved grandmother, honoring her legacy and inimitable character.
An endearing, bittersweet, and entertainingly fresh take on the family memoir.Pub Date: March 17, 2020
ISBN: 978-0-525-65471-1
Page Count: 240
Publisher: Knopf
Review Posted Online: Dec. 2, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Bess Kalb ; illustrated by Erin Kraan
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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