by Beth Anderson ; illustrated by Anne Lambelet ‧ RELEASE DATE: Nov. 15, 2022
An admiring, if distant, feminist character study.
A portrait of a woman whose search for self-identity led her to disguise herself as a man to fight in the American Revolution.
Portraying Deborah Sampson as someone whose “spirit was always a little too large” (presumably to conform to gender expectations), Anderson follows her independent-minded subject from youthful chores in which she discovered “pieces of herself” to life as a “masterless woman” operating a loom in a public house, enlistment—after one false start under another name—as “Robert Shurtliff,” and military career. Despite being wounded in battle, she was able to conceal her sex until after the war, when she fell ill on duty…but thanks to a sympathetic doctor and commanding officer, rather than being forcibly ejected she was granted an honorable discharge. Her legacy as a feminist icon and the rest of her long life, which included lecture tours as well as marrying and raising a family, are left to a long afterword in which the author describes her own fruitless search through scanty primary and secondary sources for insight into Sampson’s character and motives. Lambelet likewise adds vignettes and larger scenes of a tall, generic figure working busily at various tasks or, switching from period dresses to breeches, marching and fighting redcoats along with a mix of light- and dark-skinned comrades. (This book was reviewed digitally.)
An admiring, if distant, feminist character study. (bibliography) (Picture-book biography. 7-9)Pub Date: Nov. 15, 2022
ISBN: 978-1-63592-610-1
Page Count: 48
Publisher: Calkins Creek/Astra Books for Young Readers
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James ‧ RELEASE DATE: Aug. 2, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Jan. 9, 2024
Quick and slick, but ably makes its case.
The distinguished jurist stands tall as a role model.
Not literally tall, of course—not only was she actually tiny but, as with all the other bobbleheaded caricatures in the “Ordinary People Change the World” series, Ginsburg, sporting huge eyeglasses on an outsize head over black judicial robes even in childhood, remains a doll-like figure in all of Eliopoulos’ cartoon scenes. It’s in the frank acknowledgment of the sexism and antisemitism she resolutely overcame as she went from reading about “real female heroes” to becoming one—and also the clear statement of how she so brilliantly applied the principle of “tikkun olam” (“repairing the world”) in her career to the notion that women and men should have the same legal rights—that her stature comes clear. For all the brevity of his profile, Meltzer spares some attention for her private life, too (“This is Marty. He loved me, and he loved my brains. So I married him!”). Other judicial activists of the past and present, all identified and including the current crop of female Supreme Court justices, line up with a diversely hued and abled group of younger followers to pay tribute in final scenes. “Fight for the things you care about,” as a typically savvy final quote has it, “but do it in a way that will lead others to join you.”
Quick and slick, but ably makes its case. (timeline, photos, source list, further reading) (Picture-book biography. 7-9)Pub Date: Jan. 9, 2024
ISBN: 9780593533338
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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