Grounded in both nature and nurture: a tale sure to affirm the nonconformist’s spirit.
A girl with unconventional passions finds her community.
Shocking her parents—both expert gardeners—baby Prunella arrives not with the proverbial green thumb, but a purple one. Accordingly, Prunella’s plant affinities run to the spiny, carnivorous, fungal, and poisonous sorts. While her parents don’t always understand her predilections, they nurture them anyway. From bladderwort to voodoo lilies, her plants “pinched and poked and reeked.” Neighborhood kids avoid Prunella and her garden. Like a species with protective spines, Prunella grows “prickly,” eschewing her peers. Though concerned, her parents know that her “strong roots” will help her “blossom” when she’s ready. Opportunity arrives with Oliver, a young aspiring botanist who can correctly identify Prunella’s plants and convinces her to diagnose his ailing Venus flytrap. Prunella begins to open up as Oliver and his sister, future mycologist Clem, enter her life, planting a “tiny, hopeful friend-shaped seed.” The siblings connect her with a “bouquet of botanists” (as well as “one very curious entomologist”), and the fruit from a thorny new plant—blackberries!—stains everyone’s thumbs purple. Keane supplies accomplished, episodic, animation-influenced illustrations in a palette of blue-gray, ochre, and red. Kids attracted to unusual plants will encounter an equally satisfying theme: Cultivate your passions, and your people will show up. Prunella and her parents are brown-skinned with straight black hair, Oliver and Clem are Black, and the community is diverse.
Grounded in both nature and nurture: a tale sure to affirm the nonconformist’s spirit. (information on “Prunella’s persnickety plants”) (Picture book. 4-8)Pub Date: July 16, 2024
ISBN: 9781665921732
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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