A harmonious picture book whose poetic text and delicate illustrations befit its subject.
The story of Victorian artist and creator William Morris.
As Kephart explains, the “writer, scholar, artist, activist, bookman” dedicated his life to honoring and creating beautiful things. Living in an era when the advent of mass manufacturing was beginning to severely damage the environment, Morris sought to preserve the art of making hand-crafted objects. Drawing inspiration from nature, travel, and the past, he carved out a place in history, and his influence persists today. Kephart’s text is leisurely, encouraging readers to fully take in every stanza and lovely illustration. Rich vocabulary, lyricism, and careful word choices enhance and deepen meaning. Stacey’s incredible soft-edged illustrations are reminiscent of Morris’ style: full of movement, imagination, and detail. One double-page spread uses a bird’s-eye perspective, drawing the eye downward past birds perched in a tree and hovering insects to young Morris below. Another shows a story springing to life from the pages of an open book. The nature elements that appear as motifs throughout the artwork, coupled with detailed close-ups of the processes of whittling, sewing, and bookbinding, reveal just how much Morris’ art was connected to his appreciation of the beauty of the natural world. (This book was reviewed digitally.)
A harmonious picture book whose poetic text and delicate illustrations befit its subject. (Picture book. 5-8)Pub Date: April 5, 2022
ISBN: 978-1-951836-33-7
Page Count: 40
Publisher: Cameron + Company
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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