by Bethany Hegedus ; illustrated by Erin McGuire ‧ RELEASE DATE: Jan. 23, 2018
A well-intentioned effort that might not connect with its intended audience.
A scrappy young white girl from tiny Monroeville, Alabama, grows up to write the American classic To Kill a Mockingbird.
Hegedus tells the story of how Nelle Harper Lee became a writer, choosing illustrative moments from her life: watching her lawyer father try cases in court, learning to read by sitting on her father’s lap as he read the newspaper, observing racial relations in the town, becoming friends with Truman Capote and writing stories together, editing the college newspaper, and going to New York City, where a Christmas gift of money from friends gave her the time to finally write a novel. It’s tricky business to write about an author of a novel young readers haven’t encountered yet. Young readers may be content with the inspirational story of a protagonist who “carved out a life of her own design,” but only older readers who have read the novel can appreciate scenes related to it. It complicates matters further when quotations from the novel are folded in without context and sentences carry more weight than many young readers will be ready for: “The red soil of Monroeville, Alabama, is as rocky as the state’s past” and “Nelle shunned the ‘pink penitentiary’ of girlhood.” Still, this is clearly a labor of love, and teachers of To Kill a Mockingbird might read it aloud for the glimpses it offers into the origins of the novel.
A well-intentioned effort that might not connect with its intended audience. (author’s note) (Picture book/biography. 6-10)Pub Date: Jan. 23, 2018
ISBN: 978-0-06-245670-0
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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