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GIANT DANCE PARTY

Sheer joy.

Lexy lives to dance, but she dreads those terrifying recitals.

Somehow all the joy she feels in dancing deserts her entirely when she is on a stage in front of an audience. She freezes like an ice pop. All her efforts at overcoming this phobia fail, so she quits dance school. She decides to take a totally different approach by becoming a dance teacher, since they don’t have to perform. But in spite of great advertising and preparation, not a single pupil appears. The tale leaves the realm of the ordinary by introducing a group of fuzzy giants who truly love to dance, begging Lexy to teach them. Soon, they are leaping and step dancing and doing the twist. But at their recital, they turn into matching ice pops. Lexy leaps onto the stage, dances with joy and thaws the giants, who join her in a rip-roaring, crowd-pleasing spectacle, and, voila, stage fright is over for all of them. Strong, action-packed language and syntax that speaks directly to readers keep the tale flowing at a brisk pace and make the fantasy elements completely believable. Lexy is a charmer, full of pep and verve and enthusiasm, fully realized in Dorman’s large-scale digital illustrations as she sprightly cavorts through the pages.

Sheer joy. (Picture book. 3-8)

Pub Date: April 23, 2013

ISBN: 978-0-06-196083-3

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: Feb. 26, 2013

Kirkus Reviews Issue: March 15, 2013

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THE TEMPEST

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.

Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.

Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)

Pub Date: April 7, 2020

ISBN: 978-1-5362-1144-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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