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WILD THINGS!

ACTS OF MISCHIEF IN CHILDREN'S LITERATURE

Though it’s unlikely to reach far beyond children’s-literature scholars and enthusiasts, it will offer that audience a whole...

A chatty inside look at some of the stories that have shaped modern children’s literature.

The authors, three prominent children’s-literature bloggers (Sieruta died in 2012), wear their hearts on their sleeves in this tribute to the chronically underrated art form. Although they open with the hope that their book will serve as a corrective to those who believe that children’s literature is all fluff and bunnies, it’s clear that their audience is their choir. They are far from preachy, however, ranging far and wide in their survey of “mischief.” Exactly what constitutes mischief is rather conceptually fluid, as the authors cover gay and lesbian authors and illustrators, the relative literary worth of series fiction and celebrity publishing, among other topics. Likewise, organization is a little strained, with a “behind-the-scenes interlude” that covers “hidden delights” falling immediately after the book-banning discussion, for instance, but the authors’ enthusiasm and engagement will keep the pages turning. While some of the stories they present are old news to many (Robert McCloskey dosed the models for Jack, Kack, et al., with red wine), others, particularly some fascinating publication histories, will open eyes. The discussion of censorship is particularly thoughtful, both emphasizing intellectual freedom and considering the problematic nature of classic literature amid changing cultural sensibilities.

Though it’s unlikely to reach far beyond children’s-literature scholars and enthusiasts, it will offer that audience a whole lot of enjoyment and no small amount of edification. (Nonfiction. 14 & up)

Pub Date: Aug. 5, 2014

ISBN: 978-0-7636-5150-3

Page Count: 272

Publisher: Candlewick

Review Posted Online: June 29, 2014

Kirkus Reviews Issue: July 15, 2014

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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