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WILD THINGS!

ACTS OF MISCHIEF IN CHILDREN'S LITERATURE

Though it’s unlikely to reach far beyond children’s-literature scholars and enthusiasts, it will offer that audience a whole...

A chatty inside look at some of the stories that have shaped modern children’s literature.

The authors, three prominent children’s-literature bloggers (Sieruta died in 2012), wear their hearts on their sleeves in this tribute to the chronically underrated art form. Although they open with the hope that their book will serve as a corrective to those who believe that children’s literature is all fluff and bunnies, it’s clear that their audience is their choir. They are far from preachy, however, ranging far and wide in their survey of “mischief.” Exactly what constitutes mischief is rather conceptually fluid, as the authors cover gay and lesbian authors and illustrators, the relative literary worth of series fiction and celebrity publishing, among other topics. Likewise, organization is a little strained, with a “behind-the-scenes interlude” that covers “hidden delights” falling immediately after the book-banning discussion, for instance, but the authors’ enthusiasm and engagement will keep the pages turning. While some of the stories they present are old news to many (Robert McCloskey dosed the models for Jack, Kack, et al., with red wine), others, particularly some fascinating publication histories, will open eyes. The discussion of censorship is particularly thoughtful, both emphasizing intellectual freedom and considering the problematic nature of classic literature amid changing cultural sensibilities.

Though it’s unlikely to reach far beyond children’s-literature scholars and enthusiasts, it will offer that audience a whole lot of enjoyment and no small amount of edification. (Nonfiction. 14 & up)

Pub Date: Aug. 5, 2014

ISBN: 978-0-7636-5150-3

Page Count: 272

Publisher: Candlewick

Review Posted Online: June 29, 2014

Kirkus Reviews Issue: July 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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