Next book

THE MOON AND I

An adroit blend of telling experiences from Byars's life and ingenuous confidences about her writing, linked by her friendship with a huge blacksnake ("Moon") that she first observed coiled on a porch beam at the log cabin where she writes—all recounted in the inimitably forthright, witty voice that has endeared her to readers of her 36 children's books. Flashing back to childhood encounters with snakes and to escapades like riding "the first skateboard in the history of the world" ("Bee told me to...Fortunately...we didn't know you were supposed to stand up...Otherwise I wouldn't be alive today"), Byars interpolates glimpses of herself as writer (in order of importance: characters, plot, setting, "good scraps"; "Most of the other things—like theme and mood—I don't think about"). There are nifty anecdotes (emboldened by curiosity, she picks up a dead snake on the road, then panics when the bag it's in crackles), slyly revealing how her mind works while also entertaining readers with hilarious conversations, outrageous details, and pithy lists (e.g., good scraps that later turned up in books: "a woman who made varmint stew"; "puce tennis shoes"). This ebullient self-portrait is so delightfully informal that it may seem artless; actually, the dovetailing of the several elements is extraordinarily skillful, the comments on writing as sage as they are succinct. A must. (Autobiography. 9+)

Pub Date: April 1, 1992

ISBN: 0688137040

Page Count: 96

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

Next book

50 IMPRESSIVE KIDS AND THEIR AMAZING (AND TRUE!) STORIES

From the They Did What? series

A breezy, bustling bucketful of courageous acts and eye-popping feats.

Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?

Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.

A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)

Pub Date: May 10, 2016

ISBN: 978-0-14-751813-2

Page Count: 320

Publisher: Puffin

Review Posted Online: Nov. 10, 2015

Kirkus Reviews Issue: Dec. 1, 2015

Next book

FREE LUNCH

A mighty portrait of poverty amid cruelty and optimism.

Recounting his childhood experiences in sixth grade, Ogle’s memoir chronicles the punishing consequences of poverty and violence on himself and his family.

The start of middle school brings about unwanted changes in young Rex’s life. His old friendships devolve as his school friends join the football team and slowly edge him out. His new English teacher discriminates against him due to his dark skin (Rex is biracial, with a white absentee dad and a Mexican mom) and secondhand clothes, both too large and too small. Seemingly worse, his mom enrolls him in the school’s free-lunch program, much to his embarrassment. “Now everyone knows I’m nothing but trailer trash.” His painful home life proffers little sanctuary thanks to his mom, who swings from occasional caregiver to violent tyrant at the slightest provocation, and his white stepdad, an abusive racist whose aggression outrivals that of Rex’s mom. Balancing the persistent flashes of brutality, Ogle magnificently includes sprouts of hope, whether it’s the beginnings of a friendship with a “weird” schoolmate, joyful moments with his younger brother, or lessons of perseverance from Abuela. These slivers of relative levity counteract the toxic relationship between young Rex, a boy prone to heated outbursts and suppressed feelings, and his mother, a fully three-dimensional character who’s viciously thrashing against the burden of poverty. It’s a fine balance carried by the author’s outstanding, gracious writing and a clear eye for the penetrating truth.

A mighty portrait of poverty amid cruelty and optimism. (author’s note, author Q&A, discussion guide, writing guide, resources) (Memoir. 9-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-324-00360-1

Page Count: 208

Publisher: Norton Young Readers

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

Close Quickview