THE CIRCUS ROSE

A queer reimagining of “Snow-White and Rose-Red.”

Dark-skinned Ivory and pale-skinned Rosie (each named for her hair color) are 17-year-old twin daughters of the Circus Rose’s ringmistress. When the circus returns to their birthplace, Port’s End, Rosie’s and Ivory’s growth unfolds against a volatile backdrop that echoes contemporary politics: Recent regime and policy shifts result in aggressive behavior by the Brethren, whose church formerly occupied a position of political power. After tragedy strikes the circus, Ivory must shoulder ringmistress duties even as she attempts to discover who—or what—is behind the devastation. The present-tense, first-person narrative alternates between Rosie’s dreamy verse and Ivory’s looping prose as the sisters navigate new romances, professional challenges, and oppressive religious fanaticism on tour. Rosie is attracted to women but prefers the mysterious Bear above all while Ivory’s understanding of her own sexuality expands when she meets Tam, a black-haired, olive-skinned Fey magician who is “neither male nor female, like all Fey.” Tam’s pronouns, fe/fer/fers, are seamlessly integrated into the text. The twins have different fathers: Ivory’s is brown skinned while Rosie’s father is pale. The well-constructed fantasy world evokes elements of northern Europe and the United States during the Industrial Revolution, placing fluid Fey society and magic in an uneasy truce with established human monarchies and technologies. This creative exploration of chosen family, self-knowledge, love, and the tension between opposites is both timely and timeless.

Dazzling.