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THE FOREST QUEEN

Pleasant enough, but Silvie’s constant protestations against her leadership and heroism won’t get much argument.

A runaway noblewoman takes up robbery, aided by a band of merry rogues, in this gender-flipped Robin Hood retelling.

Lady Silviana flees to the forest, mostly to escape her brutal brother, John, and his incestuous desires. Along with a servant, a boy named Bird who is her lifelong friend and love interest, she offers refuge to John’s victims, starting with the raped and pregnant Little Jane. To her astonishment, Silvie soon finds these outlaws are looking to her to command an uprising against feudal injustice. Pseudo-British, vaguely medieval Esting is an intriguing world—nobles are either dark-complexioned or extremely pale, and they rule over a population that is somewhere in the middle in terms of coloring; most occupations are open to men and women alike; and birth control, abortion, and bisexuality are openly accepted—yet patriarchal authority essentially remains unchallenged. Themes of freedom and feminism are heavily emphasized, while traditional swashbuckling is downplayed in favor of Silvie’s romantic angst and dawning social consciousness. Colorful side characters are vividly drawn, if occasionally wincingly exoticized (especially the princess Ghazia), and are frankly more compelling than diffident Silvie or blandly perfect Bird. Nonetheless, the inspiring ethos, brisk pace, and genuinely thrilling climax all hold attention even if the disappointing epilogue suggests that systemic oppression can be corrected by punishing one egregious villain.

Pleasant enough, but Silvie’s constant protestations against her leadership and heroism won’t get much argument. (Fantasy. 12-18)

Pub Date: Aug. 7, 2018

ISBN: 978-0-544-88819-7

Page Count: 304

Publisher: Clarion Books

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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A CURSE FOR TRUE LOVE

From the Once Upon a Broken Heart series , Vol. 3

Frustratingly slow and lacking in magical wonder.

Despite living her happily-ever-after, Evangeline can’t help but strive to recover her lost memories in this trilogy closer.

Evangeline Fox awakens in the strong arms of Prince Apollo, her apparent husband, who swears to protect her from the evil Lord Jacks, who stole her memories. Unfortunately, Evangeline remembers nothing of her long and complex journey in the Magnificent North or her past romances; only the pain in her heart lets her know something is missing. At Wolf Hall, Evangeline seeks ways to unlock her missing memories, including enlisting the help of a mysterious guard named Archer, even as Apollo’s behavior becomes more and more controlling. The pacing and plot feel stagnant at first, with Evangeline remembering things in flashes and moments of brief feelings, but things finally pick up once her memories return. With the point of view rotating among Evangeline, Apollo, and Jacks, there are few narrative surprises, but it’s intriguing to delve into the minds of an antagonist and a Fate. The story’s inclusion of the legendary Valors and the fantastical fairy-tale setting are unfortunately overshadowed by the love triangle’s dramatic tug-of-war romance. Likewise, the book’s various themes—power, hope, stories, and the nature of humanity—are of interest but handled in an unfocused way. The conclusion, at least, is satisfying, and it hints at future tales set in this world. Evangeline, Jacks, and Archer read white; Apollo has dark hair and olive skin.

Frustratingly slow and lacking in magical wonder. (map) (Fantasy. 14-18)

Pub Date: Oct. 24, 2023

ISBN: 9781250851208

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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