An illustrated synopsis of the genesis and basic ideas of each of the world's major religions, as well as of some minor ones. Among the back matter is a list of sacred books, another of major festivals, and an interesting compilation of the various renderings of the Golden Rule, a form of which exists in almost all systems of belief. Betsy Maestro (with Giulio Maestro, The Discovery of the Americas, 1991, etc.) begins carefully, earnestly preaching the importance of diversity and balance, and taking for granted that religions are not handed down by deities but evolve from a people's own need to find meaning in life. She gallops through primitive religions, and hits her stride when she begins telling about the actual beliefs and histories of various cultures, beginning with the Chinese. Given the space limitations of the picture-book format, these are elegant and precise pieces. Giulio Maestro's beautiful illustrations are done in an array of styles, often reflecting the motifs and palettes of the culture under discussion. Most children will want to know more, but there is no bibliography nor list of further reading. Still, this is, in many ways, a revelatory work and a provocative introduction to a complicated subject. (index) (Picture book/nonfiction. 7-11)
Pub Date: Aug. 16, 1996
ISBN: 0-395-62364-2
Page Count: 48
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
A sincere but unsuccessful effort.
A collection of 52 Bible stories that focuses on God’s love and portrays people with skin tones typical of the regions in which the stories took place.
This work, with illustrations that correct modern Western misrepresentations of Jesus as someone with “white skin, blue eyes, and blond hair,” is divided into two sections—“Old Testament Stories” and “New Testament Stories.” In the first half, readers will encounter the tales of Joseph, who forgave his jealous brothers for selling him into slavery; Moses, who led the Hebrews out of Egypt; and the daughters of Zelophehad, who fought to inherit their father’s land, among others. The second section, which focuses on Jesus’ message to “love God, neighbor, and self,” covers events including his baptism, crucifixion, and resurrection, as well as the Pentecost and the Revelation of John. While the book does a great job of emphasizing that God’s love is for everyone, the manner of delivery, which is heavily explanatory, robs the narrative of much interest. The audience is also unclear: Younger children may grow restless with the long passages of text and struggle to read the small font independently, while older readers may find that the overall design and appearance feel aimed at younger kids. Although this volume represents a noble attempt to portray brown and Black people in the Bible, the illustrations are uninspired and simplistic.
A sincere but unsuccessful effort. (authors’ notes, publisher’s note) (Nonfiction. 7-11)Pub Date: Sept. 9, 2025
ISBN: 9781506487182
Page Count: 295
Publisher: Beaming Books
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
In this retelling of a medieval French tale, a starving young acrobat, PÇquelÇ, is allowed to join a Franciscan community only if he promises to give up performing. When he breaks his promise, in order to comfort a plague-stricken infant, a sculpted angel comes to life and bears him away. Although the illustrator frames most of his darkly elaborate illustrations within stone archways decorated with floral designs or grotesques, PÇquelÇ often flies beyond the visual borders, flinging out arms and legs in abandon. His joy is contagious; readers moved by the story’s Italian cousin, retold in Tomie dePaola’s Clown of God (1978), will also respond to this more formal, polished rendition. (Picture book/folklore. 7-9)
Pub Date: Sept. 1, 1999
ISBN: 0-399-22918-3
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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