Less flavorful than its ancestors, Barbara Cohen’s The Carp in the Bathtub (1972) and Sydney Taylor’s All-of-a-Kind Family...
Rosenthal debuts with a slim, easily readable free-verse novel from the perspective of a girl who feels enveloped but lost in her enormous family.
Eleven-year-old Edith, fourth among her parents’ 12 children, feels that “[i]n my overcrowded family / I’m just another face. / I’m just plain Edith / of no special place.” Old enough to care for siblings and work her parents’ diner until almost two in the morning, young enough to care about a Shirley Temple doll, Edith needs a teacher’s nudge to find an identity. “[T]he Depression + lots of kids = never enough money,” so leaky shoes need cardboard, clothes are “hand-me-down / down / down / down / downs” and the family almost loses their house (but doesn’t). Contemporary, recession-aware readers will relate to Edith’s financial woes and also her realization that other people are even poorer. The author uses her mother’s history of growing up Jewish in Depression-era Baltimore as a basis, describing a certain kind of American Judaism (cheating on kosher rules with crab cakes; celebrating Christmas as Jews “because here in America / we can celebrate / anything we want”) and family tragedy in bare-bones verse so simple that the occasional rhyme is startling.
Less flavorful than its ancestors, Barbara Cohen’s The Carp in the Bathtub (1972) and Sydney Taylor’s All-of-a-Kind Family series, this is still a good companion for them. (author’s note, family photos, glossary) (Free verse/historical fiction. 8-12)Pub Date: April 17, 2012
ISBN: 978-0-547-61084-9
Page Count: 176
Publisher: Houghton Mifflin
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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