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WHAT'S NEW AT THE ZOO?

An initial double-page spread shows dozens of disgruntled animals—walrus and crab and monkey and camel and others—crammed...

Can't all the animals just get along? Lucky for readers, no!

An initial double-page spread shows dozens of disgruntled animals—walrus and crab and monkey and camel and others—crammed too close and uttering expletives. Then, bouncy lyrics of the title song by Comden and Green (from the musical Do Re Mi) take over, comprising the entirety of the text. It begins, " 'Ouch! You're stepping on my pouch!' to the bear said the kangaroo." Elsewhere in the zoo, the elephant and the gnu are getting into it, the seal is swallowing kippers (after flapping his flippers) and the goose steps on the neck of the giraffe. "Let us out! Let us out!" becomes the repeated chorus that is interspersed between the depicted mishaps (verses). The porcupine steps on the chops of the wolf as the swine steps on his quills. Do the animals eventually escape? Yes; in a riot...of hues. Foster's ingenious illustrations feature antic cartoonish animals in an explosion of color against a background of gray lines wildly depicting other animals, for a 3-D, retro effect. A handful of pages have flaps with surprises underneath, a special treat for very young readers. And the lyrics of the Tony-winning duo scan perfectly. Green's widow, Phyllis Newman (of Broadway and TV-game-show fame) adds an appealing introduction and afterword.

Pub Date: Oct. 1, 2011

ISBN: 978-1-60905-088-7

Page Count: 36

Publisher: Blue Apple

Review Posted Online: Aug. 30, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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