Willow, the second-person narrator in Thorn (2005), determines to leave the village of the People of the Singing Seals before the male elders give her to one of the “Uncles” (all elder males are uncles) in their desperate hope to produce healthy babies. The plot is driven by Willow’s need to be free of her clan and their desperation. Her single-minded trek forces her through the emergent winter; she is supported by the knowledge and skills she developed in her tomboy years and a last-minute gift from a village boy. This book’s worldbuilding is firmly rooted in Thorn’s island home, and a chance meeting with one of the greatly feared Others fills in facts about the missing history and challenges the tenets of her upbringing. Themes examined in this novel include the reconciliation of friendship with independence and the obligation to challenge falsity in word and deed. This exciting read can stand on its own but will also appeal to readers of the first book and of Lois Lowry’s Giver and companions. (Fiction. 11-14)
Pub Date: Dec. 1, 2010
ISBN: 978-1-60819-097-0
Page Count: 134
Publisher: Namelos
Review Posted Online: Oct. 11, 2010
Kirkus Reviews Issue: Nov. 1, 2010
Unfortunate Events galore, served with relish.
The creator of such picture books as Frank Was a Monster Who Wanted to Dance (1999) and Three Nasty Gnarlies (2003) dishes up a first novel seasoned with the same delightfully twisted, ghoulish sensibility.
Immediately upon arriving in Awkward Falls, a small Manitoba town known for its canned sauerkraut and its Asylum for the Dangerously Insane (“both,” notes the narrator, “to be avoided at all costs, as one was likely to cause gas, and the other, death.”), 12-year-old Josephine meets agemate Thaddeus Hibble. Thaddeus is a scientific genius who has lived alone since infancy on an all–junk-food diet supplied by a robot butler and paid for by re-animating the dead pets of local matrons. Together the two are plunged into personal danger and worse at the clutching hands of hunchbacked lunatic cannibal Fetid Stenchley, former lab assistant and Asylum escapee. With aid from a supporting cast of colorful locals, a half-rotted corpse brought back to partial life and a ravening herd of chimerical monsters created in a secret biotechnology lab, Graves crafts a quick-moving plot composed of macabre twists. These are made all the ickier for being presented in significant part from Stenchley’s point of view. Wordless opening and closing sequences, plus a handful of interior illustrations, both fill in background detail and intensify the overall macabre atmosphere. The central characters receive just, if, under the circumstances, not necessarily final deserts.
Unfortunate Events galore, served with relish. (finished illustrations not seen) (Melodrama. 11-13)Pub Date: Nov. 1, 2011
ISBN: 978-0-8118-7814-2
Page Count: 352
Publisher: Chronicle Books
Review Posted Online: Aug. 2, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Groups considering mounting productions that go beyond the popular musicals may want to consider looking at this uneven but...
Newly created plays for young people are not published very often, so this collection merits some attention.
The four dramas, commissioned by the well-respected Minneapolis Children’s Theater Company, are about growing up in ethnically diverse communities, but the plays cover different sets of problems for their young protagonists. Esperanza Rising, loosely adapted from the novel by Pam Muñoz Ryan, is set during the Depression, when Mexican immigrants competed with Okies for agricultural jobs in California. Esperanza changes from a pampered rich girl into a hard worker. The others are very contemporary. In Average Family, a reality-TV contest brings the wealthy Minneapolis Roubidoux family back to a Native American lifestyle they have never known. Also set in Minneapolis, the strongest play (at least on the page), Snapshot Silhouette, features a resilient Somali refugee, Najma, who finds both her voice and a new friend when she moves in with a well-meaning African American mother and her disaffected daughter; they are struggling as a family after the murder of an older daughter. Sasha, an isolated child of a Russian immigrant, finally gets to know her neighbors when she goes looking for a pen to write a research paper on the eponymous Brooklyn Bridge, the most artificial selection.
Groups considering mounting productions that go beyond the popular musicals may want to consider looking at this uneven but thought-provoking anthology. (Drama. 11-14)Pub Date: Oct. 1, 2011
ISBN: 978-0-8166-7313-1
Page Count: 296
Publisher: Univ. of Minnesota
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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