A Roots for a new generation, rich in storytelling and steeped in history.
An African American pediatrician–turned–historical detective investigates her family’s history—and, by extension, that of America.
“Always remember—you’re a Madison. You come from African slaves and a president.” So her mother told Kearse, who opens her account with invocations of the West African griot tradition of storytelling and oral history. That tradition found a place in slavery-era America because most slave owners did not allow enslaved people to learn to read and write. James Madison was different: He allowed his mixed-race son, Jim, to linger within hearing of education lessons. Given well-documented events at nearby Monticello, that Madison had such a son is a surprise only because he had no children with his wife, Dolley, which led many scholars to assume that he “was impotent, infertile, or both.” Evidently not. Enriching that history not just with stories, but with more tangible historical evidence, Kearse visits the plantation, speaking with archaeologists, historians, and the descendants of slaves, reading widely, discovering the long-unknown burial sites of ancestors. She also traveled to Africa and Portugal—for, as her grandfather had told her mother, “our history goes well beyond America’s boundaries.” That Jim was educated did not spare him from being sold, always aware that he was the son of a president. So, too, with the descendants, enslaved and then free, who carried the Madison story to new homes, to be incorporated into the narrative of Madison’s life, as Sally Hemings is in Thomas Jefferson’s. On that note, Kearse writes searchingly of Madison’s language in crafting the Constitution, in which the words “slave” and “slavery” did not appear but that spoke of “other persons”—acknowledged as humans, that is, but still left out. “I understood that this omission,” writes the author, “was why oral history was essential to African Americans having knowledge of how crucial we have always been to what this nation is.” A Roots for a new generation, rich in storytelling and steeped in history. (b/w illustrations)Pub Date: March 24, 2020
ISBN: 978-1-328-60439-2
Page Count: 272
Publisher: Houghton Mifflin Harcourt
Review Posted Online: March 1, 2020
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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