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ASTONISHED

A STORY OF EVIL, BLESSINGS, GRACE, AND SOLACE

Honest, engaging and cathartic.

Donofrio (Looking for Mary, 2000, etc.) recounts her survival from rape at age 55 and subsequent spiritual journey.

Best known for Riding in Cars with Boys (1990), her first memoir about her teenage pregnancy and single motherhood, the author was raised Catholic. As an adult, following years without religious practice, Donofrio developed a deep love for and affinity with the Virgin Mary and returned to Catholicism. In 2006, while living peacefully as an expat in San Miguel de Allende, Mexico, Donofrio awoke to find herself held at knife point by the town's serial rapist. "I did not want to believe in a God that would let this happen," she writes at the book's beginning. After the man was caught weeks later, Donofrio remained unsettled, wrestling with feelings of having been violated and spiritual questions concerning good and evil. In search of stillness and safety, she planned to leave for six months to visit five places, most of which were monasteries. The bulk of the narrative follows this pilgrimage, which included stays with the Trappists at St. Benedict and the Carmelites at Nada Hermitage, both in Colorado, and at a friend's Missouri retreat center. Donofrio devoted her days to prayer and meditation, as well as the study of spiritual writings, which she lists in the narrative. Her story is one of reconciliation; she felt herself grow closer to Jesus while shedding some of her decades-old protective holding patterns and bitterness toward men. She considered, then decided against, becoming a nun. The conclusion of her journey, following her torrent of questions for and about divine power, lies in her realization that her faith is unshakeable and her attack, ultimately, showed her the heart of God.

Honest, engaging and cathartic.

Pub Date: March 7, 2013

ISBN: 978-0670025756

Page Count: 240

Publisher: Viking

Review Posted Online: Jan. 15, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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