A handsome, well-designed book and a terrific, engaging read, this is an openly affectionate portrait of Rockwell as both the man and the artist. Young Norman left high school at fifteen to study at the National Academy and the Art Students League. He was just eighteen when he became the art director for the Boy Scouts’ Boys’ Life magazine. Shortly thereafter, Rockwell was shocked that The Saturday Evening Post bought the first two paintings he showed them and immediately commissioned three more covers! These two early associations shaped his long, productive, and lucrative career. Gherman (Robert Louis Stevenson, 1996) takes her readers into the studio and skillfully blends biographical details into her survey of Rockwell’s techniques, models, and imagery. Parents and teachers will welcome the opportunity to introduce his inspirational WWII suite of paintings “The Four Freedoms” (based on Roosevelt’s speech) to contemporary children. Once seen, few will forget “The Problem We All Live With” (his 1964 Look Magazine painting of a young Ruby Bridges escorted into her New Orleans elementary school flanked by Federal marshals). Open page design, attractive typeface, and generous white space set off a luscious sampling of well-chosen full color reproductions and fascinating black and while photos. This biography is well timed; Rockwell and his oeuvre are in international resurgence. Critics are finally acknowledging that Rockwell’s “high art’ aesthetic both intersects with and transcends popular culture. The buzz generated by the Norman Rockwell: Pictures for the American People show now touring the country’s major museums will definitely reach the elementary school set. As such, this appealing biography will certainly meet and exceed the expectations of a burgeoning new audience for the artist’s life and work. (Biography. 8-11)
Pub Date: April 1, 2000
ISBN: 0-689-82001-1
Page Count: 64
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
paper 1-57505-370-5 In this valuable addition to the On My Own Biography series of easy readers, Lowery (Georgia O’Keeffe, 1996, etc.) renders an intriguing and lucid portrait of the man often referred to as the most celebrated artist of the 20th century. The book begins with young Picasso puzzling over math equations. Finding math difficult, he came up with an inventive alternative, swirling and bending numbers on the page until they became fanciful creations. As a boy, Picasso was often sent to a “cell” as punishment for his lack of academic focus, but there he found the long hours nothing but pleasant, doing just what he loved best, “drawing, drawing, drawing.” This book takes readers on a journey through the highlights of Picasso’s life, visiting his Blue Period, his Rose Period and lingering over cubism. Lowery also makes clear Picasso’s mercurial and tempestuous nature, describing his swings from flamboyant rage to ecstatic joy. She aptly demonstrates how Picasso’s art became an expression of his character and his character an extension of his art. In pleasing textures of oil on canvas and warm hues, Porter’s accompanying illustrations quite nicely echo the art of its subject. (photos, chronology) (Biography. 8-11)
Pub Date: Nov. 30, 1999
ISBN: 1-57505-331-4
Page Count: 44
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With but a light sprinkling of names and dates, Myers condenses his Malcolm X: By Any Means Necessary (1993) to picture- book length. Myers takes readers through his subject’s childhood and turbulent career, pausing for significant episodes (such as a white teacher’s suggestion that he’d be better off studying carpentry than law), supplying samples of his vivid rhetoric, and tracing his movement toward visions of a more inclusive, less violent revolution. Placing realistic portraits of X and other icons of the civil rights movement against swirling backdrops of faces and street scenes, Jenkins captures a sense of tumultuous times. What emerges most clearly is a portrait of a complex, compelling spokesman who was growing and changing up to the moment he was cut down. (Picture book/biography. 6-8)
Pub Date: Jan. 31, 2000
ISBN: 0-06-027707-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 1999
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