Johnson remains a fashion pioneer, but her storytelling lacks the wit or polish necessary to make the book a success.
A memoir from the model whom fashion designer Halston once called "the new beauty ‘It Girl.’ ”
In August 1974, Johnson (True Beauty: Secrets of Radiant Beauty for Women of Every Age and Color, 1994) transformed the fashion industry as the first African-American to appear on the cover of American Vogue. That appearance, she writes, “left an enduring mark on the country, its view of beauty, and the meaning of beauty for decades to come.” However, as she notes, her life and career have been scarred by unwanted sexual advances that began at age 12 and that include a frightening 1986 incident with Bill Cosby (which the author has talked about publicly following other allegations against the comedian). Johnson’s observation that modeling was "an industry that I would find to be overflowing with a toxic mix of deceit, manipulation, abuse, and backstabbing" is echoed in the details of her unstable personal life, which has been marked by a string of codependent relationships with leeching, unfaithful, or drug-dealing men who robbed her of her livelihood and self-respect, jeopardized her health, and nearly ruined her professional reputation. When she finally recognized that her life had become a battle of "self-loathing and self-destruction,” she was able to start down the hard road toward redemption. Though she remains a sympathetic, candid narrator, Johnson recounts these doomed romances and other personal issues with repetitious lamentations, and she doesn’t seem to have gleaned much wisdom from the experiences. She also litters the book with clichés—on one page, she uses "bright and early," "best and brightest," "nearest and dearest," and "crystal clear.” These are not only distracting, but they hold readers at a distance and demonstrate the author’s lack of real insight.
Johnson remains a fashion pioneer, but her storytelling lacks the wit or polish necessary to make the book a success.Pub Date: Aug. 25, 2015
ISBN: 978-1-4767-7441-1
Page Count: 256
Publisher: Atria
Review Posted Online: June 3, 2015
Kirkus Reviews Issue: June 15, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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