An unending barrage of sarcastic commentary—some of it funny, most of it obnoxious—nearly obscures the occasional acute perceptions of America that Bryson peppers throughout this prodigal son's report. After living and travel-writing for more than a decade in England, Bryson, inspired by a trip to his hometown of Des Moines to attend his father's funeral, decided to explore the US. Here, he reports on his recent trip crisscrossing the nation, guffawing and complaining most of the way, visiting mainly small towns and the countryside in between, but also a few cities, most on the East Coast. True to the book's sour spirit, it begins with a disappointment: a visit to Bryson's grandparents' Iowa house, now no longer the happy home of memory but merely a "shack" surrounded by "cheap little houses." Bryson finds solace by buying the Sunday New York Times, though, and points out that it costs 75,000 trees to reproduce: "So what it' our grandchildren have no oxygen lo breath? Fuck'em." Bryson's humor doesn't get much sharper than that, but his eye for American foibles does, as he endures the, to him, dull plains of Nebraska; garishness of Las Vegas; spookiness of the Smoky Mountains; terrors of a Philadelphia slum; overorderliness of the Smithsonian, and onwards. The mailing of America, the violence that pervades the land, the sleazy films that fill the airwaves: these are the sores that shock or amuse his expatriate's eye. But still Bryson finds good here: the simple dignity of Elvis' birthplace in Tupelo, Miss,; the glories of the Grand Canyon; the nostalgic treasures of baseball's spacious Hall of Fame; and, finally, returning lo Des Moines, all that makes this city "friendly and decent and nice." Bryson is a smooth writer, only far too Smug and self-consciously cranky; still, his account is funny al times, insightful at others. But for a mine mature, wise, and winsome American odyssey by another expatriate, see Mort Rosenblum's excellent Back Home (p. 978).
Pub Date: Sept. 1, 1989
ISBN: 0060920084
Page Count: 324
Publisher: Harper & Row
Review Posted Online: Oct. 14, 2011
Kirkus Reviews Issue: Aug. 15, 1989
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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