A fun, pithy sendup of one of the best-known origin stories.
Burkland’s religious satire offers an alternative retelling of the conception of Jesus.
The story begins with biblical figures Isaiah and Micah delivering prophecies. Isaiah is depicted as a drunkard whose prophecies are intentionally ambiguous, while Micah communicates mostly with a group of cats. The latter learns of Isaiah’s prophecy of a virgin birth and tries to one-up him by predicting that the birth will be in Bethlehem. Joseph is a humble carpenter from Nazareth, while Mary is a strong-willed young woman sent to that town by her parents to separate her from her rebellious friend, Vashti. Mary and Joseph develop a romantic relationship, and as they travel to Bethlehem for the Roman census, they anticipate the disapproval of Mary's strict, religious parents. When they arrive, they meet “The Keeper,” a 103-year-old innkeeper who helps Mary bring her child into the world in a stable. Mary’s father, Jerome, and the High Priest join forces and convince drunken shepherds to spread a fabricated story about an angelic visitation and coerce the Wise Men to proclaim the miracle of Jesus’ birth. Soon, Mary, Joseph, and baby Jesus leave Bethlehem to escape the ensuing chaos. As the family settles into their journey, they reflect on the strange events that have shaped their lives; the story concludes in a modern setting. Burkland’s satirical recasting of the New Testament account of Jesus’ origins is most successful in its humorous character descriptions, as when it paints Jerome as “a noodle of a man with…rapidly receding hair that looked as though a handful of thin, lethargic worms had been indiscriminately dumped on top of his tiny head.” The dialogue is similarly clever, as it offers critiques of the era’s conventions, as when Mary’s mother, Elisheba, says to her daughter: “You may be a grown woman of fourteen, but you are in my house.” Devout Christian readers will take issue with some aspects of the tale, but overall, it offers a humorous departure from the original text that many readers will enjoy.
A fun, pithy sendup of one of the best-known origin stories.Pub Date: Dec. 5, 2024
ISBN: 9798888245415
Page Count: 246
Publisher: Koehler Books
Review Posted Online: Oct. 24, 2024
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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