edited by Bill Henderson ‧ RELEASE DATE: Oct. 1, 1994
It's hard not to get too excited about the latest enormous volume of the best of the noncommercial world of short stories, poetry, and essays. One could easily take it as a sign that the independent publishing community has finally broken free from the shackles of academia and is asserting its voice—actually a whole range of voices that fiercely push themselves forward to be heard. There are a few big names, like Louise Erdrich, Louise GlÅck, and Charles Baxter, but they mostly contribute thoughtful, interesting literary essays. The collection really sings, though, with the sound of rousing newcomers. Some authors have had little or no previous work published, like Bliss Broyard with her graceful story ``My Father, Dancing,'' and Charles D'Ambrosio with ``Jacinta,'' an evocation of quiet desperation in rural Oregon. Several entries are strikingly original in form and content, namely Eugene Stein's story of ultimate anarchism in ``The Triumph of the Prague Workers' Councils'' and George Williams's manic fantasy in ``The Road From Damascus.'' Nonliterary essays offer eloquent views on such subjects as the power of giving messages in Brenda Miller's ``A Thousand Buddahs'' and on the death of great dogs in Vicki Hearne's ``Oyez Beaumont.'' Many of the contributors bring with them the cultural heritage of recent immigration or displacement, most successfully in Marilyn Chin's long poem ``A Portrait of the Self as Nation, 19901991'' and Josip Novakovich's story of survival in Yugoslavia in ``Honey in the Carcase.'' African-Americans, Native Americans, and Latinos are also well represented, but there are no dominant themes, issues, or points of view, and there are surprisingly few duds in a collection this varied. Much has been written about the fall of prose in America, the result of an attention-span-impaired generation, of evil conglomerate book publishers, of stultifying university writing programs, but this latest volume of the Pushcart Prize offers ample evidence that there are many who are able and willing to pick up the fallen banner of the written word. A surprising, vital collection that should hearten all serious readers.
Pub Date: Oct. 1, 1994
ISBN: 0-916366-92-8
Page Count: 608
Publisher: Pushcart
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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edited by Bill Henderson with Pushcart Prize editors
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edited by Bill Henderson
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edited by Bill Henderson
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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