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THE NEW NEW RULES

A FUNNY LOOK AT HOW EVERYBODY BUT ME HAS THEIR HEAD UP THEIR ASS

Funny stuff for TV viewers with short attention spans.

Less an actual book than a return to the print-media platform by a brand most familiar from television.

“It’s a joke book,” admits Maher of this sequel to New Rules: Polite Musings from a Timid Observer (2005). As an alphabetized collection of bits from his “New Rules” TV segments (though some never aired), this book is meatier than a collection of top-10 lists from another TV brand. Yet the author acknowledges that he deserves credit neither for the concept (his program’s head writer conceived “New Rules” as a running feature) or for “so many of the jokes in this book” (he has staff writers for that). Consequently, the book is a compilation of TV bits that have aired since the last compilation (which means some might be six years old) and some that didn’t make the airtime cut for a variety of reasons, aimed at dedicated Maher fans who want all their favorites in one volume or at those who enjoy Maher when they see him but want to see how much they’ve missed. Example: “New Rule: The White House doesn’t have to release the dead Bin Laden photos, but don’t pretend we can’t take it. We’ve seen pictures of Britney Spears’s vagina getting out of a car. Television has desensitized us to violence, and porn has desensitized us to people getting shot in the eye.” Though Maher’s perspective on celebrity culture, marijuana, masturbation and China will be familiar to fans, some of the longer (rarely longer than a page and a half), more ambitious pieces reflect the sensibility he shares with Jon Stewart, with a cutting-edge humor that slices through journalistic hypocrisy—e.g., “We don’t need a third party, we need a first party. This is because we don’t have a left and a right party in this country anymore. We have a center-right party and a crazy party. Over the last thirty-odd years, Democrats have moved to the right, and the right has moved into a mental hospital.”

Funny stuff for TV viewers with short attention spans.

Pub Date: Nov. 14, 2011

ISBN: 978-0-399-15841-4

Page Count: 368

Publisher: Blue Rider Press

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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