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KITTY CAT, KITTY CAT, ARE YOU GOING TO SLEEP?

The bedtime routine for this little kitty is filled with all the excuses she can think of, fueled by her reluctance to accept the end of the day. She holds out to: take one more look at the setting sun, play one more peek-a-boo game, pretend she is in outer space instead of the bath, play with her toes instead of putting on pajamas. Martin and Sampson’s simple text provides a reassuring gentleness while firmly bringing the day to a close. “ ‘Kitty Cat, Kitty Cat, / you’ve finally closed your eyes.’ / ‘That’s right, Mother, / time for lullabies.’ / ‘Kitty Cat, Kitty Cat, / I’m turning out the light.’ / ‘Good night, Mother, / I will sleep sooo tight.’ ” While the text has the repetition and rhythm that are almost always winners in books for this age, the scansion stumbles too often for complete success. A bold green typeface balances against the pale blue, green and brown hues of the watercolor-and–colored-pencil art that displays a hint of a Japanese-print aesthetic in the bold patterns and luxuriant drape and fold of towels and blankets. These enclose a likable, if not adorable, Kitty and her patient mom, first seen in Kitty Cat, Kitty Cat, Are You Waking Up? (2008). The patterned, rhyming text will be welcomed by little ones at their own bedtime, but as an addition to rather than a substitute for the bedtime canon. (Picture book. 2-4)

Pub Date: March 1, 2011

ISBN: 978-0-7614-5946-0

Page Count: 24

Publisher: Marshall Cavendish

Review Posted Online: Feb. 10, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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LITTLE BLUE TRUCK'S HALLOWEEN

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes.

A lift-the-flap book gives the littlest trick-or-treaters some practice identifying partygoers under their costumes.

Little Blue Truck and his buddy Toad are off to a party, and they invite readers (and a black cat) along for the ride: “ ‘Beep! Beep! Beep!’ / says Little Blue. / ‘It’s Halloween!’ / You come, too.” As they drive, they are surprised (and joined) by many of their friends in costume. “Who’s that in a tutu / striking a pose / up on the tiniest / tips of her toes? / Under the mask / who do you see?” Lifting the flap unmasks a friend: “ ‘Quack!’ says the duck. / ‘It’s me! It’s me!’ ” The sheep is disguised as a clown, the cow’s a queen, the pig’s a witch, the hen and her chick are pirates, and the horse is a dragon. Not to be left out, Little Blue has a costume, too. The flaps are large and sturdy, and enough of the animals’ characteristic features are visible under and around the costumes that little ones will be able to make successful guesses even on the first reading. Lovely curvy shapes and autumn colors fade to dusky blues as night falls, and children are sure to notice the traditional elements of a Halloween party: apple bobbing, lit jack-o’-lanterns, and punch and treats.

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes. (Board book. 2-4)

Pub Date: July 5, 2016

ISBN: 978-0-544-77253-3

Page Count: 16

Publisher: HMH Books

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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