Insofar as the reading level of the book for adults is on a par with this effort—for the most part, only the substance has...
This distillation of the best-selling Killing Jesus: A History (2013) retains the original’s melodramatic tone and present-tense narration. Also its political agenda.
The conservative pundit’s account of Jesus’ life and, in brutal detail, death begins with a nonsensically altered title, an arguable claim to presenting a “fact-based book” and, tellingly, a list of “Key Players” (inserted presumably to help young readers keep track of all the names). Like its source, its prose is as purple as can be, often word for word: “There is a power to Jesus’s gait and a steely determination to his gaze.” Harping on “taxes extorted from the people of Judea” as the chief cause of continuing local unrest, the author presents Jewish society as governed with equal force by religious ritual and by the Romans, and he thoroughly demonizes Herod Antipas (“he even looks the part of a true villain”). Alterations for young readers include more illustrations, periodic sidebars, far fewer maps and a streamlining of context so that the focus is squarely on Jesus, with less attention on the historical moment—an unfortunate choice. Assorted notes on 16 various side topics, from a look at Roman roads to the rise of the cross as a Christian symbol, follow. A mix of 19th-century images, photos of ancient sites and artifacts supplement frequent new illustrations (not seen) from Low.
Insofar as the reading level of the book for adults is on a par with this effort—for the most part, only the substance has been simplified—it’s hard to see the value of this iteration. (source list, recommended reading) (Biography. 12-15)Pub Date: April 1, 2014
ISBN: 978-0-8050-9877-8
Page Count: 320
Publisher: Henry Holt
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
Fans of all things martial will echo his “HOOYAH!”—but the troubled aftermath comes in for some attention too.
Abridged but not toned down, this young-readers version of an ex-SEAL sniper’s account (SEAL Team Six, 2011) of his training and combat experiences in Operation Desert Storm and the first Battle of Mogadishu makes colorful, often compelling reading.
“My experiences weren’t always enjoyable,” Wasdin writes, “but they were always adrenaline-filled!” Not to mention testosterone-fueled. He goes on to ascribe much of his innate toughness to being regularly beaten by his stepfather as a child and punctuates his passage through the notoriously hellacious SEAL training with frequent references to other trainees who fail or drop out. He tears into the Clinton administration (whose “support for our troops had sagged like a sack of turds”), indecisive commanders and corrupt Italian “allies” for making such a hash of the entire Somalian mission. In later chapters he retraces his long, difficult physical and emotional recovery from serious wounds received during the “Black Hawk Down” operation, his increasing focus on faith and family after divorce and remarriage and his second career as a chiropractor.
Fans of all things martial will echo his “HOOYAH!”—but the troubled aftermath comes in for some attention too. (acronym/ordinance glossary, adult level reading list) (Memoir. 12-14)Pub Date: May 1, 2012
ISBN: 978-1-250-01643-0
Page Count: 192
Publisher: St. Martin's Griffin
Review Posted Online: March 13, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study.
On the verge of her 80th birthday (Feb. 18, 2013), Ono steps out of her iconic late husband’s shadow for a sympathetic profile.
The authors present her as a groundbreaking creative artist whose work has been misunderstood, not to say derided, for decades and who was unjustly vilified as the woman who broke up the Beatles. They describe a comfortable upbringing in Japan and the United States, childhood experiences in World War II and artistic development as part of New York’s avant-garde scene in the 1950s and early ’60s. The book goes on to chronicle her relationships with various husbands, including “soul mate” John Lennon, and her two children, life as a peace-activist celebrity in the ’70s, and (in much less detail) her activities, honors and exhibitions after Lennon’s death. The account is occasionally trite (“Yoko and John were stressed to the max”) or platitudinous, and it’s unlikely to persuade younger (or any) readers to appreciate Yoko’s creations—which run to works like an 80-minute film of naked rumps walking by and sets of chess pieces that are all the same color—as great art. Nevertheless, it does impart a good sense of conceptual and performance art’s purposes and expressions along with a detailed portrait of a complex woman who for several reasons has a significant place in our cultural history.
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study. (photos, timeline to 2009, resource lists) (Biography. 12-15)Pub Date: Jan. 1, 2013
ISBN: 978-1-4197-0444-4
Page Count: 184
Publisher: Amulet/Abrams
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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