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LEAN ON ME

A CHILDREN'S PICTURE BOOK

From the LyricPop series

A positive, inspirational message for children to lean on and into.

Singer/songwriter Withers’ encouraging lyrics form the text of this upbeat picture book.

The late musician’s supportive song, released in 1972, is the backdrop to a story about a quartet of racially diverse young friends sharing various life experiences. The kids explore the outdoors, go camping, and share life events—some happy, some less so—occasionally with parents. The book makes clear that supportive friendship, or “leaning on,” is mutual: “Lean on me / When you’re not strong / And I’ll be your friend / I’ll help you carry on… / For it won’t be long / Till I’m gonna need / Somebody to lean on.” It’s clear everyone needs help now and then and that it isn’t a sign of weakness to reach out for assistance. As the book proceeds, the illustrations subtly depict the foursome becoming adolescents who still care about one another. The cartoonish artwork is colorful and lively, though undistinguished. The nature of song lyrics is there’s a repetitive element to them, so these important words and the overarching messages about support, outreach, and the permanency of friendships are easy to recall, absorb, and, hopefully, emulate. Readers eager to hear Withers’ uplifting song will be pleased by the inclusion of a QR code that allows them to listen to it on platforms such as Spotify or Tidal. (This book was reviewed digitally.)

A positive, inspirational message for children to lean on and into. (Picture book. 4-8)

Pub Date: Aug. 1, 2023

ISBN: 9781636141091

Page Count: 32

Publisher: Akashic

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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THE TEMPEST

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.

Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.

Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)

Pub Date: April 7, 2020

ISBN: 978-1-5362-1144-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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