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STILL FOOLIN' 'EM

WHERE I'VE BEEN, WHERE I'M GOING, AND WHERE THE HELL ARE MY KEYS?

A charming, warm, welcome read for Crystal’s legions of fans.

A humorous take on mortality by famed comedian and actor Crystal (700 Sundays, 2005, etc.).

In his latest book, the always-affable author proves yet again his ability to translate his comedic chops from the screen to the page. On the morning of his 65th birthday, Crystal peered into the mirror to find he was no longer the “hip, cool baby boomer” he thought he was, but now resembled “a Diane Arbus photograph.” Horrified by the transformation, Crystal dedicates the rest of the book to finding his old self in his new saggy skin—a self-deprecating shtick that proves as endearing as it is silly. Melding the personal with the professional, the author recounts his rise from unknown comic to acclaimed entertainer, a journey that has included run-ins with everyone from Mickey Mantle to Muhammad Ali. Yet through it all, Crystal makes clear that his brushes with greatness—and, in fact, his own greatness—were often the result of luck, timing and hard work in equal proportions. Though he revels in his self-portrayal as a key-losing, liver-spotted old man, in truth, Crystal’s wit and writing remain sharp, as do his reflections on the more disappointing moments of his career. Of the mild success of his directorial debut, Mr. Saturday, Crystal chalks up the film’s struggles to audiences’ inability to leave his past characters behind and embrace the one he portrayed in the film. “I’d had a great run playing a certain kind of guy,” he writes. “Audiences liked that guy; they didn’t want to see that guy get old.” By book’s end, it’s evident that Crystal himself has grown old, but rather than make a secret of his age, he turns it into a punch line. In the final chapter, he confronts his impending death in perfect Crystal fashion. “I do see a silver lining,” he admits; “it’s the satin in my coffin.”

A charming, warm, welcome read for Crystal’s legions of fans.

Pub Date: Sept. 10, 2013

ISBN: 978-0-8050-9820-4

Page Count: 288

Publisher: Henry Holt

Review Posted Online: June 22, 2013

Kirkus Reviews Issue: July 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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