by Birgitta Sif ; illustrated by Birgitta Sif ‧ RELEASE DATE: June 13, 2017
Sweet, sisterly sounds in a cacophonous day.
Swish, a young mouse with big ears (even for a mouse), hears all kinds of noises throughout her day—many produced by her little sister, Squeak.
With such cute (and satisfyingly sonorous) names, it isn’t surprising that these mouselings charm with their bright eyes, triangular faces, pink ears, and little bulb noses. Ballet pinks, dusty-rose reds, fantastic fuchsias, teal blues, and plum purples establish a decidedly soft palette that makes for a cozy read. While curled up with these dear pictures, readers will enjoy enunciating and articulating the myriad sounds Swish encounters during her day: “Ring RING Ring,” “eeeek,” “munch munch,” “Lalalalalalala.” Integrated into the illustrations, the onomatopoeic sounds’ varied capitalization, elongation, repetition, color, and placement allow them to trill above the page in just the right pitch. Siblings will empathize with Swish when she mistakes her sister’s chewing for an alligator’s chomping, her footfall for an elephant’s thundering steps—and also when little Squeak calls out, “I’m here, Swish,” from across a crowded playground. Or whispers, “I’m scared,” in the dark.
Sweet, sisterly sounds in a cacophonous day. (Picture book. 4-6)Pub Date: June 13, 2017
ISBN: 978-0-399-55622-7
Page Count: 32
Publisher: Knopf
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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